[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-odd-couple":3},"title: The Odd Couple\ncomposer: Neal Hefti\nstyle: Medium Swing\nkey: F\nform: AA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n1  | Dm7     # ii of G7: Dorian\n1  | G7      # V7\u002FV in F: natural tensions\n2  | Dm7     # ii of G7: Dorian\n2  | G7      # V7\u002FV in F: natural tensions\n3  | Dm7     # ii of G7: Dorian\n3  | G7      # V7\u002FV in F: natural tensions\n4  | Dm7     # ii of G7: Dorian\n4  | G7      # V7\u002FV in F: natural tensions\n5  | Gm7     # ii of C7: Dorian\n5  | C7      # V7\u002FI in F: natural tensions\n6  | Gm7     # ii of C7: Dorian\n6  | C7      # V7\u002FI in F: natural tensions\n7  | Gm7     # ii of C7: Dorian\n7  | C7      # V7\u002FI in F: natural tensions\n8  | Gm7     # ii of C7: Dorian\n8  | C7      # extended dominant: V7 of F7\n9  | F7      # I7 in F, not resolving: natural tensions\n9  | B7#11   # tritone substitute: resolves down a half step to BbMaj7\n10 | BbMaj7  # the B7#11 before it makes Bb the key of the moment: the 4th is in the key\n11 | Em7     # ii of the ii–V to D minor\n11 | A7b13   # V7\u002Fvi in F: b9 and b13 are in the key\n12 | Dm7     # ii of G7: Dorian\n12 | G7      # V7\u002FV in F: natural tensions\n13 | BbMaj7  # IV: the #4 is the key’s 7th\n13 | A7b13   # V7\u002Fvi in F: b9 and b13 are in the key\n14 | Dm7     # ii of G7: Dorian\n14 | G7      # V7\u002FV in F: natural tensions\n15 | Em7b5   # iiø7 of A7b13: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | A7b13   # V7\u002Fvi in F: b9 and b13 are in the key\n17 | F7      # I7 in F, not resolving: natural tensions\n17 | B7#11   # tritone substitute: resolves down a half step to BbMaj7\n18 | BbMaj7  # the B7#11 before it makes Bb the key of the moment: the 4th is in the key\n19 | Em7     # ii of the ii–V to D minor\n19 | A7b13   # V7\u002Fvi in F: b9 and b13 are in the key\n20 | Dm7     # ii of G7: Dorian\n20 | G7      # V7\u002FV in F: natural tensions\n21 | Gm7     # ii of the ii–V to F\n22 | C7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n23 | F6      # tonic: the 4th is in the key\n24 | Bb7     # tritone substitute: resolves down a half step to A7b13\n24 | A7b13   # V7\u002Fvi in F: b9 and b13 are in the key\n@ending 1 9 16\n@ending 2 17 24\n",1793575903142]