[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-night-we-first-met":3},"title: The Night We First Met\ncomposer: Stefan Karlsson\nstyle: Ballad\nkey: Fm\nform: AABC, 33 bars\nrecording: Stefan Karlsson; Below Zero; Justice; 1993\nyoutube: S5C6TipumU8\n# analysis: 2026-10-19, rules v2; F minor\n# recording: Stefan Karlsson with Rufus Reid, Marvin \"Smitty\" Smith, Rich Perry (tenor sax on some tracks), Justice JR 0703-2 (Discogs ℗ 1993; Karlsson's own site gives 1994); the first recording of it, the composer leading: it is not on his two earlier Justice albums (Discogs, stefankarlssonjazz.com); video: \"Provided to YouTube by Virgin Music Group\", Below Zero, the same take\n\n# bar | chord | scale\n\nsection: A1\n# area: F minor (A1 1 – A2 8)\n1 | Fm7      # tonic minor: Dorian by convention\n2 | Bbm7     # iv: Dorian, the key’s own notes\n3 | Ebm7     # a borrowed minor chord: Dorian, its own key\n3 | D7#11    # tritone substitute: resolves down a half step to DbMaj7\n4 | DbMaj7   # a non-tonic major chord: Lydian\n4 | Gb7#11   # tritone substitute: resolves down a half step to Fm7\n5 | Fm7      # tonic minor: Dorian by convention\n5 | Fm7\u002FEb   # tonic minor: Dorian by convention\n6 | DbMaj7   # a non-tonic major chord: Lydian\n7 | Db7      # bVI7 in F minor, not resolving: the #11 is in the key\n8 | Gm7b5    # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | C7alt    # from the symbol: altered\n\nsection: A2\n1 | Fm7      # tonic minor: Dorian by convention\n2 | Bbm7     # iv: Dorian, the key’s own notes\n3 | Ebm7     # a borrowed minor chord: Dorian, its own key\n3 | D7#11    # tritone substitute: resolves down a half step to DbMaj7\n4 | DbMaj7   # a non-tonic major chord: Lydian\n4 | Gb7#11   # tritone substitute: resolves down a half step to Fm7\n5 | Fm7      # tonic minor: Dorian by convention\n5 | Fm7\u002FEb   # tonic minor: Dorian by convention\n6 | DbMaj7   # a non-tonic major chord: Lydian\n7 | Db7      # tritone substitute: resolves down a half step to C7\n7 | C7       # V7 of F minor: b9 and b13 are in the key\n8 | Fm       # tonic minor: Dorian by convention\n\nsection: B\n# area: C major (B 1–8)\n1 | Dm7      # ii of the ii–V to C\n1 | G7       # V7 of C: natural tensions\n2 | CMaj7    # tonic: the 4th is in the key\n2 | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Dm7      # ii of the ii–V to C\n3 | G7       # V7 of C: natural tensions\n4 | CMaj7    # tonic: the 4th is in the key\n4 | Gb7b9    # tritone substitute: resolves down a half step to FMaj7; b9 from the symbol\n5 | FMaj7    # the Gb7b9 before it makes F the key of the moment: the 4th is in the key\n5 | FMaj7\u002FE  # from the symbol: sus b9\n6 | FMaj7\u002FD  # IV: the #4 is the key’s 7th\n6 | FMaj7\u002FC  # IV: the #4 is the key’s 7th\n7 | Bm7b5    # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n7 | E7b13    # V7\u002Fvi in C: b9 and b13 are in the key\n8 | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8 | Abdim7   # passing diminished: G7♭9 without its G, the C7#11's dominant (Gm7 its ii)\n# area: F minor (B 9 – C 8)\n9 | Gm7      # ii of the ii–V to F minor\n9 | C7#11    # V7 of F minor: 9, #11 and 13 from the symbol\n\nsection: C\nbars: 11\n1 | Fm7      # tonic minor: Dorian by convention\n2 | Bbm7     # iv: Dorian, the key’s own notes\n3 | Ebm7     # a borrowed minor chord: Dorian, its own key\n3 | D7#11    # tritone substitute: resolves down a half step to DbMaj7\n4 | DbMaj7   # a non-tonic major chord: Lydian\n4 | Gb7#11   # tritone substitute: resolves down a half step to Fm7\n5 | Fm7      # tonic minor: Dorian by convention\n5 | Fm7\u002FEb   # tonic minor: Dorian by convention\n6 | DbMaj7   # a non-tonic major chord: Lydian\n7 | Db7      # tritone substitute: resolves down a half step to C7\n7 | C7       # V7 of F minor: b9 and b13 are in the key\n8 | Fm       # tonic minor: Dorian by convention\n",1793484803896]