[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-night-we-called-it-a-day":3},"title: The Night We Called It A Day\ncomposer: Matt Dennis\nstyle: Slow Swing\nkey: G\nform: AABC, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n1 | Am7b5   # iiø7 of G: Locrian, the key's own notes (its ♭2 is a passing note)\n1 | D7b9    # V7 of G: the b9 from the symbol\n2 | GMaj7   # tonic: the 4th is in the key\n3 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | B7b9    # V7\u002Fvi in G: b9 and b13 are in the key\n4 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Em7\u002FD   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | C#7     # tritone substitute: resolves down a half step to C7\n5 | C7      # tritone substitute: resolves down a half step to Bm7\nalt 5 | Em7     # ii of A7: Dorian\nalt 5 | A7      # V7\u002FV in G: natural tensions\n6 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Bb7     # tritone substitute: resolves down a half step to Am7\n7 | Am7     # ii: Dorian, the key’s own notes\n7 | Ab7#11  # tritone substitute: resolves down a half step to GMaj7\n8 | GMaj7   # tonic: the 4th is in the key\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | Dm7     # ii of the ii–V to C\n1 | G7      # V7\u002FIV in G: natural tensions\n2 | CMaj7   # the G7 before it makes C the key of the moment: the 4th is in the key\n3 | B7#9    # V7\u002Fvi in G: the b13 is in the key, b9, #9 and #11 from the symbol\n4 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5 | B7b13   # V7\u002Fvi in G: b9 and b13 are in the key\n6 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7 | Em7b5   # iiø7 of A7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n7 | A7b9    # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n8 | Am7     # ii of D7: Dorian\n8 | D7      # V7\u002FI in G: natural tensions\n\nsection: C\n1 | Am7b5   # iiø7 of G: Locrian, the key's own notes (its ♭2 is a passing note)\n1 | D7b9    # V7 of G: the b9 from the symbol\n2 | GMaj7   # tonic: the 4th is in the key\n3 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | B7b9    # V7\u002Fvi in G: b9 and b13 are in the key\n4 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | Em7\n5 | Em7\u002FD   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | C#m7b5  # #ivø7 in G: Locrian, its own mode (the chord is outside the key)\n6 | Cm7     # iv7 from the parallel minor: Dorian, its notes\n7 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | Bb7     # tritone substitute: resolves down a half step to Am7\n7 | Am7     # ii: Dorian, the key’s own notes\n7 | Ab7     # tritone substitute: resolves down a half step to GMaj7\n8 | GMaj7   # tonic: the 4th is in the key\n",1793575903123]