[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-most-beautiful-girl-in-the-world":3},"title: The Most Beautiful Girl In The World\ncomposer: Richard Rodgers, Hart\nstyle: Waltz\nkey: F\ntime: 3\u002F4\nform: AAB, 60 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n1  | FMaj7   # tonic: the 4th is in the key\n2  | FMaj7\n3  | Fdim7   # auxiliary diminished: it decorates the chord and returns to it\n4  | Fdim7\n5  | FMaj7   # tonic: the 4th is in the key\n6  | Fdim7   # auxiliary diminished: it decorates the chord and returns to it\n7  | FMaj7   # tonic: the 4th is in the key\n8  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n9  | Gm7     # ii of C7: Dorian\n10 | C7      # V7\u002FI in F: natural tensions\n11 | Gm6     # a minor sixth chord: Dorian\n12 | C7      # V7 of F: natural tensions\n13 | FMaj7   # tonic: the 4th is in the key\n14 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n15 | Gm7     # ii of C7: Dorian\n16 | C7      # V7\u002FI in F: natural tensions\n17 | Cm7     # a borrowed minor chord: Dorian, its own key\n18 | Cm7\n19 | Am7b5   # iiø7 of D7: Locrian, the key's own notes (its ♭2 is a passing note)\n20 | D7      # V7\u002Fii in F: the b13 is in the key\n@ending 1 13 16\n@ending 2 17 20\n\nsection: B\n1  | Dm7     # ii of G7: Dorian\n2  | G7      # V7\u002FV in F: natural tensions\n3  | Gm7     # ii of C7: Dorian\n4  | C7      # V7\u002FI in F: natural tensions\n5  | Dm7     # ii of G7: Dorian\n6  | G7      # V7\u002FV in F: natural tensions\n7  | Gm7     # ii of C7: Dorian\n8  | C7      # V7\u002FI in F: natural tensions\n9  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | D7      # extended ii–V: a side-step, its own key\n11 | Dm7     # ii of G7: Dorian\n12 | G7      # V7\u002FV in F: natural tensions\n13 | Gm7     # ii of C7: Dorian\n14 | C7      # V7\u002FI in F: natural tensions\n15 | Gm7     # ii of C7: Dorian\n16 | C7      # V7\u002FI in F: natural tensions\n17 | Cm7     # a borrowed minor chord: Dorian, its own key\n18 | Cm7\n19 | Am7b5   # iiø7 of D7: Locrian, the key's own notes (its ♭2 is a passing note)\n20 | D7      # V7\u002Fii in F: the b13 is in the key\n21 | Dm7     # ii of G7: Dorian\n22 | G7      # V7\u002FV in F: natural tensions\n23 | Gm7     # ii of the ii–V to F\n24 | Gm7\u002FC   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n25 | F6      # tonic: the 4th is in the key\n26 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n27 | Gm7     # ii of the ii–V to F\n28 | C7      # V7 of F: natural tensions\n@nav 16 D.S. al 3rd End.\n",1793575903079]