[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-more-i-see-you":3},"title: The More I See You\ncomposer: Harry Warren\nstyle: Up Tempo Swing\nkey: Eb\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A\n# area: Eb major (A 1–6)\n1  | Eb6     # tonic: the 4th is in the key\n1  | Ab7     # tritone substitute: resolves down a half step to Gm7\n2  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | C7      # V7\u002Fii in Eb: the b13 is in the key\n3  | Fm7     # ii of the ii–V to Eb\n4  | Bb7     # V7 of Eb: natural tensions\n5  | Eb6     # tonic: the 4th is in the key\n5  | Ab7     # tritone substitute: resolves down a half step to Gm7\n6  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | C7      # V7\u002Fii in Eb: the b13 is in the key\n# area: Eb minor (A 7–9)\n7  | Fm7     # ii of the ii–V to Eb minor\n8  | Bb7     # V7 of Eb minor: b9 and b13 are in the key\n9  | Ebm7    # tonic minor: Dorian by convention\n# area: B major (A 10–12)\n10 | C#m7    # ii of the ii–V to B\n10 | F#7     # V7 of B: natural tensions\n11 | BMaj7   # tonic: the 4th is in the key\n12 | Fm7b5   # iiø7 of Bb7b13: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | Bb7b13  # V7\u002Fiii in B: b9 and b13 are in the key\n# area: Eb major (A 13 – B 16)\n13 | Cm7     # ii of F7: Dorian\nalt 13 | Ebm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | F7      # V7\u002FV in Eb: natural tensions\n15 | Fm7     # ii of the ii–V to Eb\n16 | Bb7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n\nsection: B\n1  | Eb6     # tonic: the 4th is in the key\n1  | Ab7     # tritone substitute: resolves down a half step to Gm7\n2  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | C7      # V7\u002Fii in Eb: the b13 is in the key\n3  | Fm7     # ii of the ii–V to Eb\n4  | Bb7     # V7 of Eb: natural tensions\n5  | Eb6     # tonic: the 4th is in the key\n5  | Ab7     # tritone substitute: resolves down a half step to Gm7\n6  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | C7      # extended ii–V: a side-step, its own key\n7  | Bbm7    # ii of the ii–V to Ab\n8  | Eb7     # V7\u002FIV in Eb: natural tensions\n9  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n10 | Db7     # ♭VII7 from the parallel minor: Lydian Dominant\n11 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | C7      # V7\u002Fii in Eb: the b13 is in the key\n13 | Fm7     # ii of the ii–V to Eb\n14 | Bb7     # V7 of Eb: natural tensions\n15 | Eb6     # tonic: the 4th is in the key\n16 | Fm7     # ii of the ii–V to Eb\n16 | Bb7     # V7 of Eb: natural tensions\n",1793575903064]