[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-monster-and-the-flower":3},"title: The Monster and the Flower\ncomposer: Claudio Roditi, Ricardo Silveira\nstyle: Bossa Nova\nkey: Eb\nform: AABB, 72 bars\nrecording: Claudio Roditi; Red on Red; Greene Street; 1984\n# analysis: 2026-10-28, rules v2; Eb\n# recording: Van Gelder Studio (Greene Street GS 2001 in the US; CTI 9011 in Japan), Claudio Roditi with Kenia, Roditi's debut as a leader and his own first recording; rule 1; sources: Discogs, MusicBrainz; video: none official of this recording (the Topic uploads are the 2006 Impressions remake)\n\nsection: Intro1\n# area: Eb major (Intro1 1 – A 22)\n1  | Eb69       # tonic: the 4th is in the key\n2  | Eb69\n3  | Bb7sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | Bb7sus\n\nsection: Intro2\ncopy: Intro1\n\nsection: A\n1  | EbMaj7     # tonic: the 4th is in the key\n2  | EbMaj7\n3  | Bb7sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | Bb7sus\n5  | EbMaj7     # tonic: the 4th is in the key\n6  | EbMaj7\n7  | Bbm7       # ii of Eb7: Dorian\n8  | Eb7        # V7\u002FIV in Eb: natural tensions\n9  | G+         # from the symbol: augmented\n10 | G7b9       # extended dominant: V7 of C7; b9 from the symbol\n11 | C7         # VI7 in Eb, not resolving: the b13 is in the key\n12 | C+         # from the symbol: augmented\n13 | Cm7        # ii of F7: Dorian\n14 | F7         # V7\u002FV in Eb: natural tensions\n15 | Fm7        # ii of Bb7: Dorian\n16 | Bb7        # V7\u002FI in Eb: natural tensions\n17 | Fm7        # ii of Bb7: Dorian\n18 | Bb7        # V7\u002FI in Eb: natural tensions\n19 | Gm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n20 | C7         # V7\u002Fii in Eb: the b13 is in the key\n21 | Fm7        # ii of Bb7: Dorian\n22 | Bb7        # V7\u002FI in Eb: natural tensions\n@ending 1 13 16\n@ending 2 17 22\n\nsection: B\n# area: Gb major (B 1–12)\n1  | Abm7\u002FDb    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n2  | Abm7\u002FDb\n3  | GbMaj7\u002FDb  # tonic: the 4th is in the key\n4  | GbMaj7\u002FDb\n5  | Abm7\u002FDb    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n6  | Abm7\u002FDb\n7  | GbMaj7\u002FDb  # tonic: the 4th is in the key\n8  | GbMaj7\u002FDb\n9  | Bbm7b5     # iiø7 of Ab minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | Eb7b9      # V7\u002Fii in Gb: the b13 is in the key, the b9 from the symbol\n11 | Abm7       # ii: Dorian, the key’s own notes\n12 | Abm7\u002FGb    # ii: Dorian, the key’s own notes\n# area: Eb major (B 13–22)\n13 | Fm7        # ii of Bb7: Dorian\n14 | Bb7        # V7\u002FI in Eb: natural tensions\n15 | Gm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n16 | C7         # V7\u002Fii in Eb: the b13 is in the key\n17 | Fm7        # ii of Bb7: Dorian\n18 | Bb7        # V7\u002FI in Eb: natural tensions\n19 | Fm7        # ii of the ii–V to Eb\n20 | Bb7        # V7 of Eb: natural tensions\n21 | EbMaj7     # tonic: the 4th is in the key\n22 | Bb7sus     # static sus: Mixolydian\n@ending 1 17 18\n@ending 2 19 22\n",1793484803882]