[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-midnight-sun":3},"title: The Midnight Sun\ncomposer: Lionel Hampton, Sonny Burke\nstyle: Medium ballad\nkey: C\nform: AABC, 50 bars\nrecording: Ella Fitzgerald; Like Someone in Love; Verve; 1957\nyoutube: ieeNeVFOwwM\n# analysis: 2026-10-19, rules v2; C\n# recording: recorded 1957-10-15, Capitol Studios, Hollywood, Ella Fitzgerald with an orchestra arranged and conducted by Frank DeVol, Stan Getz (tenor sax), Verve MGV-4004; Hampton's own first recording (1947-11-10, Los Angeles, Decca matrix L 4546) is a 78 (Decca 24429 \u002F 28059) whose first LP could not be confirmed → Ella's reading of the Mercer lyric as the LP-era reference (her 1964 Johnny Mercer Song Book version came later) (Wikipedia, DAHR); video: \"Provided to YouTube by Universal Music Group\", Like Someone In Love, the same take\n\n# bar | chord\n\nsection: A\n# area: C major (A 1)\n1  | CMaj7     # tonic: the 4th is in the key\n# area: Bb major (A 3–5)\n3  | Cm7       # ii of the ii–V to Bb\n3  | F9#11     # V7 of Bb: the #11 from the symbol\n5  | BbMaj7    # tonic: the 4th is in the key\n# area: Ab major (A 7–9)\n7  | Bbm7      # ii of the ii–V to Ab\n7  | Eb7b9#11  # V7 of Ab: b9 and #11 from the symbol\n# book: Eb(b9)(#11), in every A and C\n9  | AbMaj7    # tonic: the 4th is in the key\n# area: C major (A 11–15)\n11 | Abm7      # ii of Db7b9#11: Dorian\n11 | Db7b9#11  # tritone substitute: resolves down a half step to CMaj7; b9 from the symbol\n13 | CMaj7     # tonic: the 4th is in the key\n13 | Am7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n14 | Dm7       # ii of the ii–V to C\n14 | G7        # V7 of C: natural tensions\n@ending 1 13 14\n15 | CMaj7     # tonic: the 4th is in the key\n15 | Am7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: E major (A 16 – B 1)\n16 | F#m7b5    # iiø7 of E: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | B7        # V7 of E: natural tensions\n@ending 2 15 16\n\nsection: B\n1  | EMaj7     # tonic: the 4th is in the key\n# area: D major (B 2–5)\n2  | Em7       # ii of the ii–V to D\n2  | A7        # V7 of D: natural tensions\n3  | DMaj7     # tonic: the 4th is in the key\n# alt (optional): bar 4 (Em7 Eb7b5)\n5  | DMaj7\n# area: C major (B 6 – C 1)\n6  | Dm7       # ii of G7: Dorian\n6  | G7        # V7\u002FI in C: natural tensions\n7  | Em7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | Eb7       # tritone substitute: resolves down a half step to Dm7\n8  | Dm7       # ii: Dorian, the key’s own notes\n8  | Db7b9#11  # tritone substitute: resolves down a half step to CMaj7; b9 from the symbol\n\nsection: C\nbars: 16\n1  | CMaj7     # tonic: the 4th is in the key\n# area: Bb major (C 3–5)\n3  | Cm7       # ii of the ii–V to Bb\n3  | F9#11     # V7 of Bb: the #11 from the symbol\n5  | BbMaj7    # tonic: the 4th is in the key\n# area: Ab major (C 7–9)\n7  | Bbm7      # ii of the ii–V to Ab\n7  | Eb7b9#11  # V7 of Ab: b9 and #11 from the symbol\n9  | AbMaj7    # tonic: the 4th is in the key\n# area: C major (C 11–14)\n11 | Abm7      # ii of Db7b9#11: Dorian\n11 | Db7b9#11  # tritone substitute: resolves down a half step to CMaj7; b9 from the symbol\n13 | CMaj7     # tonic: the 4th is in the key\n13 | Am7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n14 | Dm7       # ii of the ii–V to C\n14 | G7        # V7 of C: natural tensions\n",1793484803837]