[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-meaning-of-the-blues":3},"title: The Meaning Of The Blues\ncomposer: Worth, Troup\nstyle: Even 8ths\nkey: Dm\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; D minor\n\nsection: A1\n# area: D minor (A1 1 – B 1)\n1 | Dm      # tonic minor: Dorian by convention\n1 | Dm#5    # tonic minor: Dorian by convention\n2 | Dm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n2 | D7#9    # V7\u002Fiv in D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n3 | Gm7     # iv: Dorian, the key’s own notes\n3 | Gm7\u002FF   # iv: Dorian, the key’s own notes\n4 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7b9    # V7 of D minor: b9 and b13 are in the key\n5 | Dm      # tonic minor: Dorian by convention\n5 | Dm#5    # tonic minor: Dorian by convention\n6 | Dm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n6 | D7#9    # V7\u002Fiv in D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n7 | Gm7     # iv: Dorian, the key’s own notes\n8 | Bbm6    # a minor sixth chord: Dorian\n8 | C7      # V7\u002FbIII in D minor: natural tensions\n\nsection: B\n1 | FMaj7   # bIII of D minor: the relative major itself\n1 | Dm7     # tonic minor: Dorian by convention\n# area: F major (B 2–7)\n2 | Gm7     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | FMaj7   # tonic: the 4th is in the key\n4 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n5 | Dm7     # ii of G7: Dorian\n5 | G7      # V7\u002FV in F: natural tensions\n6 | Dm7     # ii of G7: Dorian\n6 | G7      # V7\u002FV in F: natural tensions\n7 | Gm7     # ii: Dorian, the key’s own notes\n7 | Bb7     # tritone substitute: resolves down a half step to A7b9\n# area: D minor (B 8 – C 8)\n8 | A7b9    # V7 of D minor: b9 and b13 are in the key\n\nsection: A2\n1 | Dm      # tonic minor: Dorian by convention\n1 | Dm#5    # tonic minor: Dorian by convention\n2 | Dm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n2 | D7#9    # V7\u002Fiv in D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n3 | Gm7     # iv: Dorian, the key’s own notes\n3 | Gm7\u002FF   # iv: Dorian, the key’s own notes\n4 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7b9    # V7 of D minor: b9 and b13 are in the key\n5 | Dm      # tonic minor: Dorian by convention\n5 | Dm#5    # tonic minor: Dorian by convention\n6 | Dm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n6 | D7#9    # V7\u002Fiv in D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n7 | Gm7     # iv: Dorian, the key’s own notes\n8 | Bbm6    # a minor sixth chord: Dorian\n8 | C7      # bVII7 in D minor, not resolving: natural tensions\n\nsection: C\n1 | Cm7     # ii of F7sus: Dorian\n2 | F7sus   # ♭III7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2 | F7      # V7\u002FbVI in D minor: natural tensions\n3 | BbMaj7  # a non-tonic major chord: Lydian\n4 | Bbm6    # a minor sixth chord: Dorian\n4 | Eb7     # tritone substitute: resolves down a half step to Dm7\nalt 4 | A7#9    # V7 in D minor, not resolving: the b13 is in the key, b9, #9 and #11 from the symbol\nalt 4 | Eb7     # tritone substitute: resolves down a half step to Dm7\n5 | Dm7     # ii of G7: Dorian\n5 | G7      # V7\u002FbVII in D minor: natural tensions\n6 | Dm7     # ii of G7: Dorian\n6 | G7      # V7\u002FbVII in D minor: natural tensions\n7 | Gm7     # iv: Dorian, the key’s own notes\n7 | Bb7     # tritone substitute: resolves down a half step to A7\n7 | A7      # V7 of D minor: b9 and b13 are in the key\n8 | Dm      # tonic minor: Dorian by convention\n",1793575903002]