[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-masquerade-is-over":3},"title: The Masquerade Is Over\ncomposer: Allie Wrubel\nstyle: Ballad\nkey: Eb\nform: AAB, 44 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | G7b9    # V7\u002Fvi in Eb: b9 and b13 are in the key\n3  | Cm7     # ii of the ii–V to Bb minor\n3  | F7      # V7\u002Fv in Eb: natural tensions\n4  | Bbm7    # ii of the ii–V to Ab\n4  | Eb7     # V7\u002FIV in Eb: natural tensions\n5  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\nalt 5  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\nalt 5  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\nalt 5  | D7      # V7\u002Fiii in Eb: b9 and b13 are in the key\n6  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | C7      # extended dominant: V7 of F7\n7  | F7      # II7 in Eb, not resolving: natural tensions\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n9  | EbMaj7  # tonic: the 4th is in the key\n10 | Bbm7    # ii of the ii–V to Ab\n10 | Eb7     # V7\u002FIV in Eb: natural tensions\n11 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n12 | Db7     # ♭VII7 from the parallel minor: Lydian Dominant\n13 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | C7      # V7\u002Fii in Eb: the b13 is in the key\n15 | Fm7     # ii of Bb7: Dorian\n16 | Bb7     # V7\u002FI in Eb: natural tensions\n17 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n17 | C7      # V7\u002Fii in Eb: the b13 is in the key\n18 | Fm7     # ii of the ii–V to Eb\n18 | Bb7     # V7 of Eb: natural tensions\n19 | Eb6     # tonic: the 4th is in the key\n19 | Db7     # back door bVII7 to Eb6: the #11 is in the key\n20 | Eb6     # tonic: the 4th is in the key\n20 | C7      # V7\u002Fii in Eb: the b13 is in the key\n@ending 1 13 16\n@ending 2 17 20\n\nsection: B\n1  | Fm7     # ii of Bb7: Dorian\n1  | Bb7     # V7\u002FI in Eb: natural tensions\n2  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | C7      # V7\u002Fii in Eb: the b13 is in the key\n3  | Fm7     # ii of the ii–V to Eb\n3  | Bb7     # V7 of Eb: natural tensions\n4  | EbMaj7  # tonic: the 4th is in the key\n5  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n6  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | C7      # extended ii–V: a side-step, its own key\n7  | Cm7     # ii of F7: Dorian\n7  | F7      # V7\u002FV in Eb: natural tensions\n8  | Fm7     # ii of Bb7: Dorian\n8  | Bb7     # V7\u002FI in Eb: natural tensions\n9  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | C7      # V7\u002Fii in Eb: the b13 is in the key\n10 | Fm7     # ii of the ii–V to Eb\n10 | Bb7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n11 | Eb6     # tonic: the 4th is in the key\n12 | Fm7     # ii of the ii–V to Eb\n12 | Bb7     # V7 of Eb: natural tensions\n@nav 7 D.C. al 3rd Ending\n",1793575902972]