[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-man-i-love":3},"title: The Man I Love\ncomposer: George Gershwin\nstyle: Ballad\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | Eb6    # tonic: the 4th is in the key\n2  | Ebm7   # a borrowed minor chord: Dorian, its own key\n3  | Gm7b5  # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7b9   # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n5  | Fm7b5  # iiø7 of Bb7: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | Bb7    # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n7  | G7     # extended dominant: each one falls a fifth into the next: natural tensions\n7  | C7     # extended dominant: each one falls a fifth into the next: natural tensions\n8  | F7     # V7 of V7: the dominant of the dominant: natural tensions\n8  | Bb7    # V7 of Eb: natural tensions\n9  | Eb6    # tonic: the 4th is in the key\n9  | Ab7    # IV7 in Eb, not resolving: the #11 is in the key\n10 | Eb6    # tonic: the 4th is in the key\n10 | D7     # V7 of G7, on the way to C minor: b9 and b13 are in the key\n10 | G7     # V7 of C minor, the chain's last link: b9 and b13 are in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Cm6    # a minor sixth chord: Dorian\n1  | Am7b5  # iiø7 of D7b13: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | D7b13  # V7 of G7b9, on the way to C minor: b9 and b13 are in the key\n2  | G7b9   # V7 of C minor, the chain's last link: b9 and b13 are in the key\n3  | Cm6    # a minor sixth chord: Dorian\n4  | G7b9   # V7\u002Fvi in Eb: b9 and b13 are in the key\n5  | Cm6    # a minor sixth chord: Dorian\n5  | Am7b5  # iiø7 of D7b13: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | D7b13  # V7 of G7b9, on the way to C minor: b9 and b13 are in the key\n6  | G7b9   # V7 of C minor, the chain's last link: b9 and b13 are in the key\n7  | Cm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Gb7    # tritone substitute: resolves down a half step to Fm7\n8  | Fm7    # ii of the ii–V to Eb\n8  | Bb7    # V7 of Eb: natural tensions\n\nsection: A2\n1  | Eb6    # tonic: the 4th is in the key\n2  | Ebm7   # a borrowed minor chord: Dorian, its own key\n3  | Gm7b5  # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7b9   # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n5  | Fm7b5  # iiø7 of Eb: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | Bb7    # V7 of Eb: natural tensions\n7  | Eb6    # tonic: the 4th is in the key\n7  | Ab7    # IV7 in Eb, not resolving: the #11 is in the key\n8  | Eb6    # tonic: the 4th is in the key\n8  | Fm7    # ii of the ii–V to Eb\n8  | Bb7    # V7 of Eb: natural tensions\n",1793575902954]