[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-last-page":3},"title: The Last Page\ncomposer: Harry Woods, Beck\nstyle: Medium Swing\nkey: G\nform: A, 89 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A\n# area: G major (A 1–14)\n1  | Am7\u002FD        # static sus: Mixolydian\n2  | EbMaj7#11\u002FD  # from the symbol: #11\n3  | Am7\u002FD        # static sus: Mixolydian\n4  | Fm7b5\u002FD      # bviiø7 in G: Locrian, its own mode (the chord is outside the key)\n4  | B+\u002FD         # from the symbol: augmented\n5  | Em7          # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | EmMaj7\u002FD#    # from the symbol: minor-major 7th\n6  | Em7\u002FD        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | C#m7b5       # iiø7 of F#7#9: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | F#7#9        # V7\u002Fiii in G: the b13 is in the key, b9, #9 and #11 from the symbol\n9  | Em7          # ii of A7: Dorian\n10 | A7           # V7\u002FV in G: natural tensions\n11 | Em7          # ii of the ii–V to D minor\n12 | A7           # V7\u002Fv in G: natural tensions\n13 | Dm7          # ii of the ii–V to C minor\n14 | G7           # V7\u002Fiv in G: natural tensions\n# area: Bb major (A 15–22)\n15 | Cm7          # ii of the ii–V to Bb\n15 | F7           # V7 of Bb: natural tensions\n16 | BbMaj7       # tonic: the 4th is in the key\n17 | Am7\u002FD        # static sus: Mixolydian\n18 | EbMaj7#11\u002FD  # from the symbol: #11\n19 | Am7\u002FD        # static sus: Mixolydian\n20 | Fm7b5\u002FD      # vø7 in Bb: Locrian, its own mode (the chord is outside the key)\n20 | B+\u002FD         # from the symbol: augmented\n21 | Em7          # a borrowed minor chord: Dorian, its own key\n21 | EmMaj7\u002FD#    # from the symbol: minor-major 7th\n22 | Em7\u002FD        # a borrowed minor chord: Dorian, its own key\n# area: G major (A 23–84)\n23 | C#m7b5       # iiø7 of F#7#9: Locrian, the key's own notes (its ♭2 is a passing note)\n24 | F#7#9        # V7\u002Fiii in G: the b13 is in the key, b9, #9 and #11 from the symbol\n25 | Bbm7         # a borrowed minor chord: Dorian, its own key\n25 | Bm7          # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n25 | Ebm7         # a borrowed minor chord: Dorian, its own key\n25 | Em7          # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n26 | Abm7         # a borrowed minor chord: Dorian, its own key\n26 | Am7          # ii: Dorian, the key’s own notes\n26 | Db9          # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n26 | D9           # V7 in G, not resolving: natural tensions\n27 | Dsus         # static sus: Mixolydian\n28 | Dsus\n29 | Dsus\n30 | Dsus\n31 | Dsus\n32 | Dsus\n33 | Dsus\n34 | Dsus\n35 | Dsus\n36 | Dsus\n37 | Fsus         # static sus: Mixolydian\n38 | Fsus\n39 | Fsus\n40 | Fsus\n41 | Asus         # static sus: Mixolydian\n42 | Asus\n43 | Asus\n44 | Asus\n45 | Em7          # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n46 | Em7\n47 | Am7          # ii: Dorian, the key’s own notes\n48 | Am7\n49 | Em7          # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n50 | Em7\n51 | Am7          # ii of Dsus\u002FA: Dorian\n52 | Am7\n53 | Dsus\u002FA       # static sus: Mixolydian\n54 | Dsus\u002FA\n55 | Dsus         # static sus: Mixolydian\n56 | Dsus\n57 | Am7          # ii: Dorian, the key’s own notes\n58 | Am7\n59 | Am7\n60 | Am7\n61 | Cm7          # iv7 from the parallel minor: Dorian, its notes\n62 | Cm7\n63 | Cm7\n64 | Cm7\n65 | Am7          # ii: Dorian, the key’s own notes\n66 | Am7\n67 | Am7\n68 | Am7\n69 | Em7          # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n70 | Em7\n71 | Am7          # ii: Dorian, the key’s own notes\n72 | Am7\n73 | Em7          # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n74 | Em7\n75 | Am7          # ii of Dsus: Dorian\n76 | Am7\n77 | Dsus         # static sus: Mixolydian\n78 | Dsus\n79 | Dsus\n80 | Dsus\n82 | Em           # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n82 | EmMaj7\u002FD#    # from the symbol: minor-major 7th\n83 | Em7\u002FD        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n84 | C#m7b5       # #ivø7 in G: Locrian, its own mode (the chord is outside the key)\n# area: Bb minor (A 85–87)\n85 | F7#9         # V7 of Bb minor: the b13 is in the key, b9, #9 and #11 from the symbol\n86 | Bbm7         # tonic minor: Dorian by convention\n86 | Bm7          # a borrowed minor chord: Dorian, its own key\n86 | Ebm7         # iv: Dorian, the key’s own notes\n86 | Em7          # a borrowed minor chord: Dorian, its own key\n87 | Abm7         # a borrowed minor chord: Dorian, its own key\n87 | Am7          # a borrowed minor chord: Dorian, its own key\n87 | Db9          # bIII7 in Bb minor, not resolving: natural tensions\n# area: G major (A 87–89)\n87 | D9           # V7 of G: natural tensions\n88 | GMaj7        # tonic: the 4th is in the key\n89 | GMaj7\n@time 27 5\u002F4\n@time 45 4\u002F4\n@time 53 5\u002F4\n@time 57 4\u002F4\n@time 77 5\u002F4\n@time 82 4\u002F4\n",1793575902887]