[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-glory-of-love":3},"title: The Glory Of Love\ncomposer: Billy Hill\nstyle: Ballad\nkey: G\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n# area: G major (A1 1 – B 4)\n1  | GMaj7  # tonic: the 4th is in the key\n1  | Em7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Am7    # ii of the ii–V to G\n2  | D7     # V7 of G: natural tensions\n3  | GMaj7  # tonic: the 4th is in the key\n3  | G7     # V7\u002FIV in G: natural tensions\n4  | CMaj7  # the G7 before it makes C the key of the moment: the 4th is in the key\n4  | Cm6    # a minor sixth chord: Dorian\n5  | Bm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Em7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Am7    # ii of the ii–V to G\n6  | D7     # V7 of G: natural tensions\n7  | G6     # tonic: the 4th is in the key\n7  | Em7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Am7    # ii of the ii–V to G\n8  | D7     # V7 of G: natural tensions\n9  | G6     # tonic: the 4th is in the key\n10 | Dm7    # ii of the ii–V to C\n10 | G7     # V7\u002FIV in G: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | CMaj7  # the G7 before it makes C the key of the moment: the 4th is in the key\n2  | CMaj7\n3  | GMaj7  # tonic: the 4th is in the key\n3  | Gdim7  # auxiliary diminished: it decorates the chord and returns to it\n4  | GMaj7  # tonic: the 4th is in the key\n# area: C minor (B 4–6)\n4  | G7     # V7 of C minor: b9 and b13 are in the key\n5  | Cm7    # tonic minor: Dorian by convention\n6  | Cm7\n# area: G major (B 7 – A2 8)\n7  | A7     # V7 of V7: the dominant of the dominant: natural tensions\n8  | D7     # V7 of G: natural tensions\n\nsection: A2\n1  | GMaj7  # tonic: the 4th is in the key\n1  | Em7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Am7    # ii of the ii–V to G\n2  | D7     # V7 of G: natural tensions\n3  | GMaj7  # tonic: the 4th is in the key\n3  | G7     # V7\u002FIV in G: natural tensions\n4  | CMaj7  # the G7 before it makes C the key of the moment: the 4th is in the key\n4  | Cm6    # a minor sixth chord: Dorian\n5  | Bm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Em7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Am7    # ii of the ii–V to G\n6  | D7     # V7 of G: natural tensions\n7  | G6     # tonic: the 4th is in the key\n8  | Am7    # ii of the ii–V to G\n8  | D7     # V7 of G: natural tensions\n",1793575902718]