[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-girl-from-ipanema":3},"title: The Girl from Ipanema\naka: Garota de Ipanema\nsubtitle: Bossa nova\ncomposer: Antonio Carlos Jobim\nstyle: Latin\nkey: F\nform: AABA\nrecording: Antonio Carlos Jobim; The Composer of Desafinado, Plays; Verve; 1963\nyoutube: YSDmKeSpSv8\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded May 1963, New York, Jobim with Claus Ogerman's orchestra, prod. Creed Taylor (Verve V6-8547); Jobim's own first recording as leader, issued 1963, before Getz\u002FGilberto (rec. March 1963, released 1964); chart follows the Colorado Cookbook and Chediak's Songbook Tom Jobim, not a specific record; Getz\u002FGilberto is the famous alternative; sources: Wikipedia; video: Zebralution \"Provided to YouTube\" upload of the same album track (remastered), 2:42\n\n# bar | chord | scale\n\nsection: A1\n# area: F major (A1 1–7)\n1  | FMaj7   # tonic: the 4th is in the key\n3  | G7      # II7 in F, not resolving: natural tensions\n5  | Gm7     # ii: Dorian, the key’s own notes\n6  | Gb7     # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n7  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: Db major (A1 7–8)\n7  | Ab7     # V7 of Db: natural tensions\n8  | DbMaj9  # tonic: the 4th is in the key\n# area: F major (A1 8 – A3 7)\n8  | Gb7#11  # tritone substitute: resolves down a half step to FMaj7\n\nsection: A2\nbars: 8\n1  | FMaj7   # tonic: the 4th is in the key\n3  | G7      # II7 in F, not resolving: natural tensions\n5  | Gm7     # ii: Dorian, the key’s own notes\n6  | Gb7     # tritone substitute: resolves down a half step to FMaj7\n7  | FMaj7   # tonic: the 4th is in the key\n\nsection: B\n1  | F#Maj7  # ♭IImaj7, borrowed from F Phrygian: Lydian (its ♯11 is in the key)\n3  | B9      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n5  | F#m7    # a borrowed minor chord: Dorian, its own key\n7  | D9      # V7\u002Fii in F: the b13 is in the key\n9  | Gm7     # ii: Dorian, the key’s own notes\n11 | Eb9     # ♭VII7 from the parallel minor: Lydian Dominant\n13 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n15 | Gm7     # ii of the ii–V to F\n16 | C7b9    # V7 of F: the b9 from the symbol\n\nsection: A3\ncopy: A2\n",1793484803809]