[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-frim-fram-sauce":3},"title: The Frim Fram Sauce\ncomposer: Joe Richardel\nstyle: Medium Swing\nkey: Bb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n# area: Bb major (A1 1 – B 4)\n1 | Bb6     # tonic: the 4th is in the key\n2 | Bb6\n3 | C7      # II7 in Bb, not resolving: natural tensions\n4 | C7\n5 | Eb6     # IV: the #4 is the key’s 7th\n5 | Edim7   # ♯IV°7 to I over its 5th: A7♭9 without its root, the ♯II°7's notes\n6 | Bb\u002FF    # tonic: the 4th is in the key\n6 | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n7 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n7 | F7      # V7 of Bb: natural tensions\n8 | Bb6     # tonic: the 4th is in the key\n8 | F7      # V7 of Bb: natural tensions\n9 | Bb6     # tonic: the 4th is in the key\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | Fm7     # ii of Bb7: Dorian\n1 | Bb7     # V7\u002FIV in Bb: natural tensions\n2 | Gm7     # ii of the ii–V to F minor\n2 | C7      # V7\u002Fv in Bb: natural tensions\n3 | Fm7     # ii of the ii–V to Eb\n3 | Bb7     # V7\u002FIV in Bb: natural tensions\n4 | Eb6     # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n# area: F major (B 5–7)\n5 | Gm7     # ii of the ii–V to F\n5 | C7      # V7 of F: natural tensions\n6 | FMaj7   # tonic: the 4th is in the key\n6 | F#dim7  # vii°7 of Gm7: D7♭9 without its root\n7 | Gm7     # ii of C7: Dorian\n7 | C7      # V7\u002FI in F: natural tensions\n# area: Bb major (B 8 – A2 8)\n8 | Cm7     # ii of the ii–V to Bb\n8 | F7      # V7 of Bb: natural tensions\n\nsection: A2\n1 | Bb6     # tonic: the 4th is in the key\n2 | Bb6\n3 | C7      # II7 in Bb, not resolving: natural tensions\n4 | C7\n5 | Eb6     # IV: the #4 is the key’s 7th\n5 | Edim7   # ♯IV°7 to I over its 5th: A7♭9 without its root, the ♯II°7's notes\n6 | Bb\u002FF    # tonic: the 4th is in the key\n6 | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n7 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n7 | F7      # V7 of Bb: natural tensions\n8 | Bb6     # tonic: the 4th is in the key\n8 | F7      # V7 of Bb: natural tensions\n",1793575902678]