[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-folks-who-live-on-the-hill":3},"title: The Folks Who Live On The Hill\ncomposer: Jerome Kern\nstyle: Ballad\nkey: C\nform: AABA, 44 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: C major (A1 1 – B 3)\n1  | CMaj7      # tonic: the 4th is in the key\n1  | C#dim7     # vii°7 of Dm7: A7♭9 without its root\n2  | Dm7        # ii of G7: Dorian\n2  | G7         # V7\u002FI in C: natural tensions\n3  | Em7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Ebdim7     # passing diminished: a rootless dominant ♭9\n4  | Dm7        # ii: Dorian, the key’s own notes\n4  | Am7\u002FC      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | G7\u002FB       # V7 in C, not resolving: natural tensions\n5  | Am7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Dm7        # ii of G7: Dorian\n6  | G7         # V7\u002FI in C: natural tensions\n7  | E7         # V7 of A7, on the way to D minor: b9 and b13 are in the key\n7  | A7         # V7 of D minor, the chain's last link: b9 and b13 are in the key\n8  | Dm7        # ii of G7: Dorian\n8  | G7         # V7\u002FI in C: natural tensions\n9  | Em7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | A7         # V7\u002Fii in C: the b13 is in the key\n10 | Dm7        # ii of the ii–V to C\n10 | G7         # V7 of C: natural tensions\n11 | C6         # tonic: the 4th is in the key\n11 | Am7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | Dm7        # ii of the ii–V to C\n12 | G7         # V7 of C: natural tensions\n13 | C6         # tonic: the 4th is in the key\n14 | F#m7b5     # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | B7b9       # V7\u002Fiii in C: b9 and b13 are in the key\n@ending 1 11 12\n@ending 2 13 14\n\nsection: B\n1  | Em7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | F#m7b5     # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | B7b9       # V7\u002Fiii in C: b9 and b13 are in the key\n3  | Em         # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | EmMaj7\u002FD#  # from the symbol: minor-major 7th\n# area: G major (B 4–6)\n4  | Em7\u002FD      # ii of A7\u002FC#: Dorian\n4  | A7\u002FC#      # V7 of V7: the dominant of the dominant: natural tensions\n4  | D7         # V7 of G: natural tensions\n5  | G6         # tonic: the 4th is in the key\n5  | G7\u002FF       # I7 in G, not resolving: natural tensions\n6  | Em7        # ii of the ii–V to D minor\n6  | A7         # V7\u002Fv in G: natural tensions\n# area: C major (B 6 – A2 14)\n6  | Dm7        # ii of the ii–V to C\n6  | G7         # V7 of C: natural tensions\n\nsection: A2\n1  | CMaj7      # tonic: the 4th is in the key\n1  | C#dim7     # vii°7 of Dm7: A7♭9 without its root\n2  | Dm7        # ii of G7: Dorian\n2  | G7         # V7\u002FI in C: natural tensions\n3  | Em7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Ebdim7     # passing diminished: a rootless dominant ♭9\n4  | Dm7        # ii: Dorian, the key’s own notes\n4  | Am7\u002FC      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | G7\u002FB       # V7 in C, not resolving: natural tensions\n5  | Am7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Dm7        # ii of G7: Dorian\n6  | G7         # V7\u002FI in C: natural tensions\n7  | E7         # V7 of A7, on the way to D minor: b9 and b13 are in the key\n7  | A7         # V7 of D minor, the chain's last link: b9 and b13 are in the key\n8  | Dm7        # ii of G7: Dorian\n8  | G7         # V7\u002FI in C: natural tensions\n9  | Em7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | A7         # V7\u002Fii in C: the b13 is in the key\n10 | Dm7        # ii of G7: Dorian\n10 | G7         # V7\u002FI in C: natural tensions\n11 | Em7b5      # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n11 | A7b9       # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n12 | Dm7        # ii of the ii–V to C\n12 | G7         # V7 of C: natural tensions\n13 | C6         # tonic: the 4th is in the key\n13 | Am7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n14 | Dm7        # ii of the ii–V to C\n14 | G7         # V7 of C: natural tensions\n",1793575902664]