[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-end-of-a-love-affair":3},"title: The End Of A Love Affair\ncomposer: Edward Redding\nstyle: Ballad\nkey: F\nform: AABAC, 40 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1–2)\n1 | Gm7     # ii of the ii–V to F\n1 | C7      # V7 of F: natural tensions\n2 | FMaj7   # tonic: the 4th is in the key\n# area: Eb major (A1 3–5)\n3 | Fm7     # ii of the ii–V to Eb\n3 | Bb7     # V7 of Eb: natural tensions\n4 | EbMaj7  # tonic: the 4th is in the key\n5 | Ebm7    # ii of Ab7: Dorian\n5 | Ab7     # extended ii–V: a side-step, its own key\n# area: Db major (A1 6–7)\n6 | Ebm7    # ii of the ii–V to Db\n6 | Ab7     # V7 of Db: natural tensions\n7 | DbMaj7  # tonic: the 4th is in the key\n# area: F major (A1 7 – A2 2)\n7 | Gm7     # ii of the ii–V to F\n7 | C7      # V7 of F: natural tensions\n8 | FMaj7   # tonic: the 4th is in the key\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | Dm7     # ii of G7: Dorian\n1 | G7      # V7\u002FV in F: natural tensions\n2 | Dm7     # ii of G7: Dorian\n2 | G7      # V7\u002FV in F: natural tensions\n3 | Dm7     # ii of G7: Dorian\n3 | G7      # V7\u002FV in F: natural tensions\n# area: C major (B 4–8)\n4 | Dm7     # ii of the ii–V to C\n4 | G7      # V7 of C: natural tensions\n5 | CMaj7   # tonic: the 4th is in the key\n6 | Am7     # ii of D7: Dorian\n6 | D7      # V7\u002FV in C: natural tensions\n7 | Dm7     # ii of G7: Dorian\n7 | G7      # V7\u002FI in C: natural tensions\n8 | Gm7     # ii of C7: Dorian\n8 | C7      # V7\u002FIV in C: natural tensions\n\nsection: A3\n# area: F major (A3 1–2)\n1 | Gm7     # ii of the ii–V to F\n1 | C7      # V7 of F: natural tensions\n2 | FMaj7   # tonic: the 4th is in the key\n# area: Eb major (A3 3–5)\n3 | Fm7     # ii of the ii–V to Eb\n3 | Bb7     # V7 of Eb: natural tensions\n4 | EbMaj7  # tonic: the 4th is in the key\n5 | Ebm7    # ii of Ab7: Dorian\n5 | Ab7     # extended ii–V: a side-step, its own key\n# area: Db major (A3 6–7)\n6 | Ebm7    # ii of the ii–V to Db\n6 | Ab7     # V7 of Db: natural tensions\n7 | DbMaj7  # tonic: the 4th is in the key\n# area: F major (A3 7 – C 8)\n7 | Gm7     # ii of C7: Dorian\n7 | C7      # V7\u002FI in F: natural tensions\n8 | Cm7     # ii of the ii–V to Bb\n8 | F7      # V7\u002FIV in F: natural tensions\n\nsection: C\n1 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n2 | Bbm6    # a minor sixth chord: Dorian\n2 | Eb7     # back door bVII7 to FMaj7: the #11 is in the key\n3 | FMaj7   # tonic: the 4th is in the key\n4 | Abdim7  # passing diminished: a rootless dominant ♭9\n5 | Gm7     # ii: Dorian, the key’s own notes\n5 | F#dim7  # vii°7 of Gm7: D7♭9 without its root\n6 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | F6      # tonic: the 4th is in the key\n8 | F6\n",1793575902653]