[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-boy-next-door":3},"title: The Boy Next Door\ncomposer: Martin, Blane\nstyle: Waltz\nkey: C\ntime: 3\u002F4\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A\n# area: C major (A 1–2)\n1  | BbMaj7  # ♭VIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n2  | G7      # V7 of C: natural tensions\n# area: Bb major (A 3 – B 16)\n3  | Cm7     # ii of the ii–V to Bb\n4  | F7      # V7 of Bb: natural tensions\n5  | BbMaj7  # tonic: the 4th is in the key\n6  | Gm7     # ii of C7: Dorian\n7  | C7      # V7\u002FV in Bb: natural tensions\n8  | C7\n9  | Cm7     # ii of the ii–V to Bb\n10 | F7      # V7 of Bb: natural tensions\n11 | BbMaj7  # tonic: the 4th is in the key\n12 | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | A7b9    # V7\u002Fiii in Bb: b9 and b13 are in the key\n15 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n15 | Db7     # tritone substitute: resolves down a half step to Cm7\n16 | Cm7     # ii of the ii–V to Bb\n16 | F7      # V7 of Bb: natural tensions\n\nsection: B\n1  | BbMaj7  # tonic: the 4th is in the key\n2  | G7      # V7\u002Fii in Bb: the b13 is in the key\n3  | Cm7     # ii of the ii–V to Bb\n4  | F7      # V7 of Bb: natural tensions\n5  | BbMaj7  # tonic: the 4th is in the key\n6  | Gm7     # ii of C7: Dorian\n7  | C7      # V7\u002FV in Bb: natural tensions\n8  | C7\n9  | BbMaj7  # tonic: the 4th is in the key\n10 | BbMaj7\n11 | C7      # II7 in Bb, not resolving: natural tensions\n12 | C7\n13 | Gb7     # tritone substitute: resolves down a half step to F7\n14 | F7      # V7 of Bb: natural tensions\n15 | BbMaj7  # tonic: the 4th is in the key\n16 | BbMaj7\n",1793575902525]