[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-bat":3},"title: The Bat\ncomposer: Pat Metheny\nstyle: Ballad\nkey: G\nform: ABCABC, 28 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n# area: G major (A1 1–5)\n1 | G       # tonic: the 4th is in the key\n1 | D\u002FF#    # V without its 7th: Mixolydian, the key’s own notes\n1 | Em      # ii of the ii–V to D\n1 | A7      # V7\u002FV in G: natural tensions\n2 | D       # V without its 7th: Mixolydian, the key’s own notes\n2 | Am7     # ii of the ii–V to G\n2 | D7      # V7 of G: natural tensions\n3 | G       # tonic: the 4th is in the key\n3 | D\u002FF#    # V without its 7th: Mixolydian, the key’s own notes\n3 | Em      # ii of the ii–V to D\n3 | A7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4 | D       # V without its 7th: Mixolydian, the key’s own notes\n4 | Am      # ii: Dorian, the key’s own notes\n5 | Db\u002FCb   # a non-tonic major chord: Lydian\n# area: Eb minor (A1 5 – B1 3)\n5 | Bb13b9  # V7 of Eb minor: the b9 is in the key, the 13 from the symbol\n@time 4 3\u002F4\n\nsection: B1\n1 | Ebm7    # tonic minor: Dorian by convention\n1 | C#m7    # ii of F#7: Dorian\n1 | F#7     # V7\u002FbVI in Eb minor: natural tensions\n2 | Cm7b5   # viø7 in Eb minor: Locrian, its own mode (the chord is outside the key)\n2 | CbMaj7  # a non-tonic major chord: Lydian\n2 | Db\u002FCb   # ♭VII of E♭ minor: D♭ major, the notes of E♭ Dorian\n3 | Gb\u002FBb   # bIII of Eb minor: the relative major itself\n3 | Ebm7    # tonic minor: Dorian by convention\n3 | D13     # tritone substitute: resolves down a half step to Db13\n3 | Db13    # tritone substitute: resolves down a half step to C13b9\n# area: F minor (B1 4)\n4 | C13b9   # V7 of F minor: the b9 is in the key, the 13 from the symbol\n4 | Fm7     # tonic minor: Dorian by convention\n# area: Eb major (B1 5 – C1 4)\n5 | Fm7b5   # iiø7 of Eb: Locrian, the key's own notes (its ♭2 is a passing note)\n5 | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n@time 5 2\u002F4\n\nsection: C1\n1 | EbMaj7  # tonic: the 4th is in the key\n1 | Bb\u002FD    # V without its 7th: Mixolydian, the key’s own notes\n2 | Ab\u002FC    # IV: the #4 is the key’s 7th\n2 | Abm\u002FCb  # iv from the parallel minor: Dorian, its notes\n3 | Eb\u002FBb   # tonic: the 4th is in the key\n4 | Ab\u002FBb   # IV: the #4 is the key’s 7th\n# area: G major (C1 4 – A2 5)\n4 | Am7b5   # iiø7 of G: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | D7      # V7 of G: natural tensions\n@coda 3\n\nsection: A2\ncopy: A1\n\nsection: B2\ncopy: B1\n\nsection: C2\ncopy: C1\n\nsection: Coda\n1 | Ab\u002FBb   # ♭II, borrowed from G Phrygian: Lydian (its ♯11 is in the key)\n2 | Eb\u002FBb   # ♭VI, borrowed from G minor: Lydian (its ♯11 is in the key)\n3 | Ab\u002FBb   # ♭II, borrowed from G Phrygian: Lydian (its ♯11 is in the key)\n4 | Eb\u002FBb   # ♭VI, borrowed from G minor: Lydian (its ♯11 is in the key)\n5 | Ab\u002FBb   # ♭II, borrowed from G Phrygian: Lydian (its ♯11 is in the key)\n6 | Eb      # ♭VI, borrowed from G minor: Lydian (its ♯11 is in the key)\n@coda 1\n",1793575902392]