[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:thats-all":3},"title: That's All\ncomposer: Haymes, Brandt\nstyle: Medium Swing\nkey: Bb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n1 | BbMaj7    # tonic: the 4th is in the key\n1 | Cm7       # ii: Dorian, the key’s own notes\n2 | Dm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Cm7       # ii of the ii–V to Bb\n2 | F7        # V7 of Bb: natural tensions\n3 | BbMaj7    # tonic: the 4th is in the key\n3 | Eb7       # tritone substitute: resolves down a half step to Dm7\n4 | Dm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | G7        # extended ii–V: a side-step, its own key\n5 | Em7b5     # #ivø7 in Bb: Locrian, its own mode (the chord is outside the key)\n5 | Ebm7      # iv7 from the parallel minor: Dorian, its notes\n6 | BbMaj7\u002FD  # tonic: the 4th is in the key\n6 | G7#9      # V7\u002Fii in Bb: the b13 is in the key, b9, #9 and #11 from the symbol\n7 | Cm7       # ii of F7: Dorian\n7 | F7        # V7\u002FI in Bb: natural tensions\n8 | Dm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | G7        # V7\u002Fii in Bb: the b13 is in the key\n8 | Cm7       # ii of the ii–V to Bb\n8 | F7        # V7 of Bb: natural tensions\n9 | Bb6       # tonic: the 4th is in the key\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | Fm7       # ii of Bb7: Dorian\n1 | Bb7       # V7\u002FIV in Bb: natural tensions\n2 | Gm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Cm7       # ii: Dorian, the key’s own notes\n3 | Fm7       # ii of the ii–V to Eb\n3 | Bb7       # V7\u002FIV in Bb: natural tensions\n4 | EbMaj7    # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n5 | Gm7       # ii of C7: Dorian\n5 | C7        # V7\u002FV in Bb: natural tensions\n6 | Am7       # a borrowed minor chord: Dorian, its own key\n6 | Dm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | Gm7       # ii of C7: Dorian\n7 | C7        # V7\u002FV in Bb: natural tensions\n8 | Cm7       # ii of the ii–V to Bb\n8 | F7        # V7 of Bb: natural tensions\n\nsection: A2\n1 | BbMaj7    # tonic: the 4th is in the key\n1 | Cm7       # ii: Dorian, the key’s own notes\n2 | Dm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Cm7       # ii of the ii–V to Bb\n2 | F7        # V7 of Bb: natural tensions\n3 | BbMaj7    # tonic: the 4th is in the key\n3 | Eb7       # tritone substitute: resolves down a half step to Dm7\n4 | Dm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | G7        # extended ii–V: a side-step, its own key\n5 | Em7b5     # #ivø7 in Bb: Locrian, its own mode (the chord is outside the key)\n5 | Ebm7      # iv7 from the parallel minor: Dorian, its notes\n6 | BbMaj7\u002FD  # tonic: the 4th is in the key\n6 | G7#9      # V7\u002Fii in Bb: the b13 is in the key, b9, #9 and #11 from the symbol\n7 | Cm7       # ii of the ii–V to Bb\n7 | F7        # V7 of Bb: natural tensions\n8 | Bb6       # tonic: the 4th is in the key\n8 | F7        # V7 of Bb: natural tensions\n",1793575902319]