[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:that-ole-devil-called-love":3},"title: That Ole Devil Called Love\ncomposer: Doris Fisher\nstyle: Medium Swing\nkey: Ab\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Ab\n\nsection: A1\n1  | Bbm7     # ii of the ii–V to Ab\n1  | Eb7      # V7 of Ab: natural tensions\n2  | Ab6      # tonic: the 4th is in the key\n3  | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | F7       # V7\u002Fii in Ab: the b13 is in the key\n5  | Bbm7     # ii: Dorian, the key’s own notes\n6  | Bbm7b5   # iiø7 of Ab: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | Eb7      # V7 of Ab: natural tensions\n7  | Ab6      # tonic: the 4th is in the key\n7  | Bdim7    # passing diminished: Bb7♭9 without its Bb, the Eb7's dominant (Bbm7 its ii)\n8  | Bbm7     # ii of the ii–V to Ab\n8  | Eb7      # V7 of Ab: natural tensions\n9  | Ab6      # tonic: the 4th is in the key\n9  | Dbm6     # a minor sixth chord: Dorian\n10 | Ab6      # tonic: the 4th is in the key\n10 | Adim7    # vii°7 of Bbm7: F7♭9 without its root\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Bbm7     # ii of the ii–V to Ab\n1  | Eb7      # V7 of Ab: natural tensions\n2  | Ab6      # tonic: the 4th is in the key\n2  | B7       # tritone substitute: resolves down a half step to Bbm7\n3  | Bbm7     # ii of the ii–V to Ab\n3  | Eb7      # V7 of Ab: natural tensions\n4  | Ab6      # tonic: the 4th is in the key\n4  | C7b9     # V7\u002Fvi in Ab: b9 and b13 are in the key\n5  | Fm6      # a minor sixth chord: Dorian\n5  | Gdim7    # vii°7 to Fm6\u002FAb, up to its bass: Eb7♭9 without its root\n6  | Fm6\u002FAb   # a minor sixth chord: Dorian\n6  | Fm6      # a minor sixth chord: Dorian\n7  | Bb7      # V7\u002FV in Ab: natural tensions\n8  | Bbm7     # ii of Eb7: Dorian\n8  | Eb7      # V7\u002FI in Ab: natural tensions\n\nsection: A2\n1  | Bbm7     # ii of the ii–V to Ab\n1  | Eb7      # V7 of Ab: natural tensions\n2  | Ab6      # tonic: the 4th is in the key\n3  | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | F7       # V7\u002Fii in Ab: the b13 is in the key\n5  | Bbm7     # ii: Dorian, the key’s own notes\n6  | Bbm7b5   # iiø7 of Eb7: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | Eb7      # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n7  | Bbm7     # ii of Bbm7\u002FEb: Dorian\n7  | Bbm7\u002FEb  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n7  | Eb7      # V7 of Ab: natural tensions\n8  | Ab6      # tonic: the 4th is in the key\n",1793575902311]