[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:tereza-my-love":3},"title: Tereza My Love\ncomposer: Antonio Carlos Jobim\nstyle: Bossa Nova\nkey: D\nform: AAB, 48 bars\nrecording: Antonio Carlos Jobim; Stone Flower; CTI; 1970\nyoutube: -j9N_xBn1EQ\n# analysis: 2026-10-28, rules v2; D\n# recording: recorded March 1970, Van Gelder Studio, Englewood Cliffs, arr. Eumir Deodato, prod. Creed Taylor (CTI 6002); a new tune on the album, Jobim's own first recording; rule 1; sources: Discogs, Wikipedia; video: Columbia (Sony) \"Provided to YouTube\" upload, ℗ originally released 1970 (compilation When Jazz Meets Brazil, the Stone Flower master), 4:20\n\nsection: A\n# area: D major (A 1–8)\n1  | D69       # tonic: the 4th is in the key\n2  | D69\n3  | Dm6\u002F9     # a minor sixth chord: Dorian\n4  | G7        # extended ii–V: a side-step, its own key\n5  | Gm7       # iv7 from the parallel minor: Dorian, its notes\n6  | Gm6       # a minor sixth chord: Dorian\n7  | F#13      # III7 in D, not resolving: the b9 is in the key, the 13 from the symbol\n7  | F#7b13    # III7 in D, not resolving: b9 and b13 are in the key\n8  | F#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | B13b9     # extended ii–V: a side-step, its own key; b9 from the symbol\n# area: C major (A 9–19)\n9  | Dm7b5     # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | G7b5      # V7 of C: the #11 from the symbol\n11 | CMaj7     # tonic: the 4th is in the key\n12 | FMaj7#11  # from the symbol: #11\n13 | F7#11     # IV7 in C, not resolving: the #11 is in the key\n14 | Dm\u002FF      # ii: Dorian, the key’s own notes\n15 | Dm7       # ii: Dorian, the key’s own notes\n16 | Bbm6      # a minor sixth chord: Dorian\n17 | F7#11     # tritone substitute: resolves down a half step to E7\n18 | E7        # V7\u002Fvi in C: b9 and b13 are in the key\n19 | Am7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: D major (A 20 – B 2)\n20 | A7#5      # V7 of D: #11 and b13 from the symbol\n@ending 1 13 16\n@ending 2 17 20\n\nsection: B\n1  | DMaj7     # tonic: the 4th is in the key\n2  | DMaj7\n# area: C major (B 3–6)\n3  | Dm7       # ii of the ii–V to C\n4  | G7        # V7 of C: natural tensions\n5  | CMaj7     # tonic: the 4th is in the key\n6  | CMaj7\n# area: Bb major (B 7–12)\n7  | Cm7       # ii of the ii–V to Bb\n8  | F7        # V7 of Bb: natural tensions\n9  | BbMaj7    # tonic: the 4th is in the key\n10 | BbMaj7\n11 | Em7b5     # #ivø7 in Bb: Locrian, its own mode (the chord is outside the key)\n12 | AMaj7#5   # from the symbol: #5\n# area: D major (B 12–16)\n12 | A7#5      # V7 of D: #11 and b13 from the symbol\n13 | D69       # tonic: the 4th is in the key\n14 | A7sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n15 | D69       # tonic: the 4th is in the key\n16 | A7        # V7 of D: natural tensions\n",1793484803782]