[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:teach-me-tonight":3},"title: Teach Me Tonight\nsubtitle: Slow swing (the second A has a 3-bar ending)\ncomposer: Gene de Paul\nstyle: Medium\nkey: C\nform: AABA, 33 bars\nrecording: Erroll Garner; Concert by the Sea; Columbia; 1955\nyoutube: aPmuRjGHUGU\n# analysis: 2026-10-19, rules v2; C\n# recording: recorded live 1955-09-19, Sunset School, Carmel-by-the-Sea, with Eddie Calhoun and Denzil Best, CL 883, released 1955; songbook standard → Garner's reading as the instrumental jazz reference, over Dinah Washington's 1954 Mercury 78 (Wikipedia); video: \"Provided to YouTube by Columbia\u002FLegacy\", The Complete Concert by the Sea (\"Original Edited Concert\", as on the LP), the same take\n\n# bar | chord | scale\n\nsection: A1\n1 | CMaj7   # tonic: the 4th is in the key\n1 | F9      # tritone substitute: resolves down a half step to Em7\n2 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | A7      # V7\u002Fii in C: the b13 is in the key\n3 | Dm7     # ii of G7: Dorian\n3 | G7      # V7\u002FI in C: natural tensions\n4 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n5 | Dm7     # ii of Dm7\u002FG: Dorian\n6 | Dm7\u002FG   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6 | G7      # V7 of C: natural tensions\n7 | CMaj7   # tonic: the 4th is in the key\n7 | A7      # V7\u002Fii in C: the b13 is in the key\n8 | Dm7     # ii of G7: Dorian\n8 | G7      # V7\u002FI in C: natural tensions\n8 | G7#5    # V7 of C: #11 and b13 from the symbol\n\nsection: A2\n1 | CMaj7   # tonic: the 4th is in the key\n1 | F9      # tritone substitute: resolves down a half step to Em7\n2 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | A7      # V7\u002Fii in C: the b13 is in the key\n3 | Dm7     # ii of G7: Dorian\n3 | G7      # V7\u002FI in C: natural tensions\n4 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n5 | Dm7     # ii of Dm7\u002FG: Dorian\n6 | Dm7\u002FG   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6 | G7      # V7 of C: natural tensions\n7 | CMaj7   # tonic: the 4th is in the key\n7 | F7      # IV7 in C, not resolving: the #11 is in the key\n8 | C       # tonic: the 4th is in the key\n8 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | Ebm7    # a borrowed minor chord: Dorian, its own key\n\nsection: B\n1 | Dm7     # ii of the ii–V to C\n1 | G7      # V7 of C: natural tensions\n2 | CMaj7   # tonic: the 4th is in the key\n2 | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n3 | Dm7     # ii of the ii–V to C\n3 | G7      # V7 of C: natural tensions\n4 | CMaj7   # tonic: the 4th is in the key\n5 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5 | B7b9    # V7\u002Fiii in C: b9 and b13 are in the key\n6 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | A7      # extended ii–V: a side-step, its own key\n7 | Am7     # ii of D7: Dorian\n7 | D7      # V7\u002FV in C: natural tensions\n8 | Dm7     # ii of G7: Dorian\n8 | G7      # V7\u002FI in C: natural tensions\n8 | G7#5    # V7 of C: #11 and b13 from the symbol\n\nsection: A3\n1 | CMaj7   # tonic: the 4th is in the key\n1 | F9      # tritone substitute: resolves down a half step to Em7\n2 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | A7      # V7\u002Fii in C: the b13 is in the key\n3 | Dm7     # ii of G7: Dorian\n3 | G7      # V7\u002FI in C: natural tensions\n4 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n5 | Dm7     # ii of Dm7\u002FG: Dorian\n6 | Dm7\u002FG   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6 | G7      # V7 of C: natural tensions\n7 | CMaj7   # tonic: the 4th is in the key\n7 | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n8 | Dm7     # ii of the ii–V to C\n8 | G7      # V7 of C: natural tensions\n",1793484803709]