[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:tea-for-two":3},"title: Tea For Two\ncomposer: Vincent Youmans\nstyle: Medium Swing\nkey: Ab\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; Ab\n\nsection: A1\n# area: Ab major (A1 1 – B 1)\n1 | Bbm7     # ii of Eb7: Dorian\n1 | Eb7      # V7\u002FI in Ab: natural tensions\n2 | Bbm7     # ii of the ii–V to Ab\n2 | Eb7      # V7 of Ab: natural tensions\n3 | AbMaj7   # tonic: the 4th is in the key\n3 | Db7      # tritone substitute: resolves down a half step to Cm7\n4 | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | F7       # V7\u002Fii in Ab: the b13 is in the key\n5 | Bbm7     # ii of Eb7: Dorian\n5 | Eb7      # V7\u002FI in Ab: natural tensions\n6 | Bbm7     # ii of the ii–V to Ab\n6 | Eb7      # V7 of Ab: natural tensions\n7 | AbMaj7   # tonic: the 4th is in the key\n8 | AbMaj7\n\nsection: B\n1 | Dm7      # ii of G7: Dorian\n1 | G7       # extended ii–V: a side-step, its own key\n# area: C major (B 2–8)\n2 | Dm7      # ii of the ii–V to C\n2 | G7       # V7 of C: natural tensions\n3 | CMaj7    # tonic: the 4th is in the key\n3 | F7       # tritone substitute: resolves down a half step to Em7\n4 | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | A7       # V7\u002Fii in C: the b13 is in the key\n5 | Dm7      # ii of G7: Dorian\n5 | G7       # V7\u002FI in C: natural tensions\n6 | Dm7      # ii of the ii–V to C\n6 | G7       # V7 of C: natural tensions\n7 | CMaj7    # tonic: the 4th is in the key\n8 | Eb7      # ♭III7 from the parallel minor: Lydian Dominant\n\nsection: A2\n# area: Ab major (A2 1 – C 8)\n1 | Bbm7     # ii of Eb7: Dorian\n1 | Eb7      # V7\u002FI in Ab: natural tensions\n2 | Bbm7     # ii of the ii–V to Ab\n2 | Eb7      # V7 of Ab: natural tensions\n3 | AbMaj7   # tonic: the 4th is in the key\n3 | Db7      # tritone substitute: resolves down a half step to Cm7\n4 | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | F7       # V7\u002Fii in Ab: the b13 is in the key\n5 | Bbm7     # ii of Eb7: Dorian\n5 | Eb7      # V7\u002FI in Ab: natural tensions\n6 | Bbm7     # ii of Eb7: Dorian\n6 | Eb7      # V7\u002FI in Ab: natural tensions\n7 | Cm7b5    # iiø7 of Bb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | F7b9     # V7\u002Fii in Ab: the b13 is in the key, the b9 from the symbol\n\nsection: C\n1 | Bbm7     # ii: Dorian, the key’s own notes\n1 | Cdim7    # vii°7 of DbMaj7: Ab7♭9 without its root\n2 | DbMaj7   # IV: the #4 is the key’s 7th\n2 | Cdim7    # passing diminished: F7♭9 without its F, the Bbm7's dominant; not functioning diatonically: the symmetric scale\n3 | Bbm7     # ii: Dorian, the key’s own notes\n3 | Bbm7\u002FAb  # ii: Dorian, the key’s own notes\n4 | Gb7      # ♭VII7 from the parallel minor: Lydian Dominant\n5 | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Bdim7    # passing diminished: Bb7♭9 without its Bb, the Eb7's dominant (Bbm7 its ii)\n6 | Bbm7     # ii of the ii–V to Ab\n6 | Eb7      # V7 of Ab: natural tensions\n7 | Ab6      # tonic: the 4th is in the key\n8 | Cm7b5    # iiø7 of Bb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | F7b9     # V7\u002Fii in Ab: the b13 is in the key, the b9 from the symbol\n",1793575902109]