[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:tangerine":3},"title: Tangerine\nsubtitle: Samba\ncomposer: Victor Schertzinger\nstyle: Latin\nkey: F\nform: ABCD, 32 bars\nrecording: Dexter Gordon; Tangerine; Prestige; 1975\nyoutube: FoRYL710sok\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1972-06-22, Van Gelder Studio, Englewood Cliffs (Thad Jones, Hank Jones, Stanley Clarke, Louis Hayes), the album's title track, Prestige P-10091, released 1975; songbook standard (The Fleet's In, 1942; Jimmy Dorsey's Decca hit, its first LP unconfirmed) → the jazz reading players know from the album named after it; sources: Wikipedia; video: \"Provided to YouTube by Universal Music Group\", Tangerine (Prestige), the same take\n\n# bar | chord | scale\n\nsection: Intro\nbars: 4\n# area: F major (Intro 1 – B 3)\n1 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n\nsection: A\n# the melody horn intro is left out; the played intro (Am7 D7b9) is added\n1 | Gm9     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | FMaj7   # tonic: the 4th is in the key\n3 | BbMaj7  # IV: the #4 is the key’s 7th\n4 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n5 | Gm7     # ii of C7: Dorian\n5 | C7      # V7\u002FI in F: natural tensions\n6 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n8 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | D7alt   # from the symbol: altered\n\nsection: B\n1 | Gm9     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | FMaj7   # tonic: the 4th is in the key\n# area: A major (B 4–8)\n4 | Bm7b5   # iiø7 of A: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | E7alt   # from the symbol: altered\n5 | AMaj7   # tonic: the 4th is in the key\n6 | Bm7     # ii of E7: Dorian\n6 | E7      # V7 of A7, on the way to G minor: b9 and b13 are in the key\n7 | A7      # V7 of D7b9, on the way to G minor: b9 and b13 are in the key\n8 | D7b9    # V7 of G minor, the chain's last link: b9 and b13 are in the key\n\nsection: C\n# area: F major (C 1 – D 8)\n1 | Gm9     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | FMaj7   # tonic: the 4th is in the key\n3 | BbMaj7  # IV: the #4 is the key’s 7th\n4 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n5 | Gm7     # ii of C7: Dorian\n5 | C7      # V7\u002FI in F: natural tensions\n6 | Gm7     # ii of C7: Dorian\n6 | C7      # V7\u002FI in F: natural tensions\n7 | Eb7     # tritone substitute: resolves down a half step to D7alt\n8 | D7alt   # from the symbol: altered\n\nsection: D\n1 | Gm9     # ii: Dorian, the key’s own notes\n2 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | A7alt   # from the symbol: altered\n3 | Dm7     # ii of G7: Dorian\n4 | G7      # V7\u002FV in F: natural tensions\n5 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n8 | D7alt   # from the symbol: altered\n",1793484803702]