[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:taking-a-chance-on-love":3},"title: Taking A Chance On Love\ncomposer: Vernon Duke\nstyle: Medium Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1 – B 4)\n1  | FMaj7   # tonic: the 4th is in the key\n1  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Gm7     # ii: Dorian, the key’s own notes\n2  | D7      # V7\u002Fii in F: the b13 is in the key\n3  | Gm7     # ii of the ii–V to F\n3  | C7      # V7 of F: natural tensions\n4  | FMaj7   # tonic: the 4th is in the key\n4  | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n5  | Dm7     # ii of G7: Dorian\n6  | G7      # V7\u002FV in F: natural tensions\n7  | Gm7     # ii of C7: Dorian\n7  | C7      # V7\u002FI in F: natural tensions\n8  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | Ab7     # tritone substitute: resolves down a half step to Gm7\n8  | Gm7     # ii of C7: Dorian\n8  | C7      # V7\u002FI in F: natural tensions\n9  | Gm7     # ii of the ii–V to F\n9  | C7      # V7 of F: natural tensions\n10 | F6      # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Cm7     # ii of the ii–V to Bb\n1  | F7      # V7\u002FIV in F: natural tensions\n2  | Bb6     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n2  | G7      # V7\u002Fv in F: natural tensions\nalt 2  | Bb6     # the F7 before it makes Bb the key of the moment: the 4th is in the key\nalt 2  | Bdim7   # vii°7 of Cm7: G7♭9 without its root\n3  | Cm7     # ii of the ii–V to Bb\n3  | F7      # V7\u002FIV in F: natural tensions\n4  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n# area: Ab major (B 5–7)\n5  | Bbm7    # ii of the ii–V to Ab\n5  | Eb7     # V7 of Ab: natural tensions\n6  | Ab6     # tonic: the 4th is in the key\n6  | Adim7   # vii°7 of Bbm7: F7♭9 without its root\n7  | Bbm7    # ii: Dorian, the key’s own notes\n7  | Bdim7   # passing diminished: G7♭9 without its G, the C7's dominant\n# area: F major (B 8 – A2 8)\n8  | C7      # V7 of F: natural tensions\n\nsection: A2\n1  | FMaj7   # tonic: the 4th is in the key\n1  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Gm7     # ii: Dorian, the key’s own notes\n2  | D7      # V7\u002Fii in F: the b13 is in the key\n3  | Gm7     # ii of the ii–V to F\n3  | C7      # V7 of F: natural tensions\n4  | FMaj7   # tonic: the 4th is in the key\n4  | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n5  | Dm7     # ii of G7: Dorian\n6  | G7      # V7\u002FV in F: natural tensions\n7  | Gm7     # ii of the ii–V to F\n7  | C7      # V7 of F: natural tensions\n8  | F6      # tonic: the 4th is in the key\nalt 8  | F6      # tonic: the 4th is in the key\nalt 8  | Gm      # ii of the ii–V to F\nalt 8  | C7      # V7 of F: natural tensions\n",1793575902058]