[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:take-five":3},"title: Take Five\ncomposer: Paul Desmond\nstyle: Medium Up Swing\nkey: Ebm\ntime: 5\u002F4\nform: ABA, 24 bars\n# analysis: 2026-10-31, rules v2; Eb minor\n\nsection: A1\n# area: Eb minor (A1 1 – B 2)\n1 | Ebm     # tonic minor: Dorian by convention\n1 | Bbm7    # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n2 | Ebm     # tonic minor: Dorian by convention\n2 | Bbm7    # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n3 | Ebm     # tonic minor: Dorian by convention\n3 | Bbm7    # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n4 | Ebm     # tonic minor: Dorian by convention\n4 | Bbm7    # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n5 | Ebm     # tonic minor: Dorian by convention\n5 | Bbm7    # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n6 | Ebm     # tonic minor: Dorian by convention\n6 | Bbm7    # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n7 | Ebm     # tonic minor: Dorian by convention\n7 | Bbm7    # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n8 | Ebm     # tonic minor: Dorian by convention\n8 | Bbm7    # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n\nsection: B\n1 | BMaj7   # a non-tonic major chord: Lydian\n1 | Abm6    # a minor sixth chord: Dorian\n2 | Bbm7    # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n2 | Ebm7    # tonic minor: Dorian by convention\n# area: Gb major (B 3–7)\n3 | Abm7    # ii of the ii–V to Gb\n3 | Db7     # V7 of Gb: natural tensions\n4 | GbMaj7  # tonic: the 4th is in the key\n5 | BMaj7   # IV: the #4 is the key’s 7th\n5 | Abm6    # a minor sixth chord: Dorian\n6 | Bbm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Ebm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7 | Abm7    # ii of Db7: Dorian\n7 | Db7     # V7\u002FI in Gb: natural tensions\n# area: Eb minor (B 8 – A2 8)\n8 | Fm7b5   # iiø7 of Eb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | Bb7b9   # V7 of Eb minor: b9 and b13 are in the key\n\nsection: A2\n1 | Ebm     # tonic minor: Dorian by convention\n1 | Bbm7    # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n2 | Ebm     # tonic minor: Dorian by convention\n2 | Bbm7    # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n3 | Ebm     # tonic minor: Dorian by convention\n3 | Bbm7    # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n4 | Ebm     # tonic minor: Dorian by convention\n4 | Bbm7    # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n5 | Ebm     # tonic minor: Dorian by convention\n5 | Bbm7    # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n6 | Ebm     # tonic minor: Dorian by convention\n6 | Bbm7    # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n7 | Ebm     # tonic minor: Dorian by convention\n7 | Bbm7    # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n8 | Ebm     # tonic minor: Dorian by convention\n8 | Bbm7    # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n",1793575902035]