[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:tadds-delight":3},"title: Tadd's Delight\ncomposer: Tadd Dameron\nstyle: Medium Up Swing\nkey: Ab\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; Ab\n\nsection: A1\n1 | Bbm7    # ii of the ii–V to Ab\n2 | Bbm7\n2 | Eb7b9   # V7 of Ab: the b9 from the symbol\n3 | AbMaj7  # tonic: the 4th is in the key\n4 | Cm7b5   # iiø7 of Bb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | F7      # V7\u002Fii in Ab: the b13 is in the key\n5 | Bbm7    # ii of the ii–V to Ab\n6 | Bbm7\n6 | Eb7b9   # V7 of Ab: the b9 from the symbol\n7 | AbMaj7  # tonic: the 4th is in the key\n8 | Ebm7    # ii of the ii–V to Db\n8 | Ab7     # V7\u002FIV in Ab: natural tensions\n\nsection: B\n1 | DbMaj7  # the Ab7 before it makes Db the key of the moment: the 4th is in the key\n2 | Gb7#11  # back door bVII7 to AbMaj7: the #11 is in the key\n3 | AbMaj7  # tonic: the 4th is in the key\n4 | F7b9    # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n5 | Bb7#11  # V7 of V7: the dominant of the dominant: the #11 from the symbol\n6 | Bb7#11\n7 | Eb7     # V7 in Ab, not resolving: natural tensions\n8 | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | F7      # V7\u002Fii in Ab: the b13 is in the key\n\nsection: A2\n1 | Bbm7    # ii of the ii–V to Ab\n2 | Bbm7\n2 | Eb7b9   # V7 of Ab: the b9 from the symbol\n3 | AbMaj7  # tonic: the 4th is in the key\n4 | Cm7b5   # iiø7 of Bb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | F7      # V7\u002Fii in Ab: the b13 is in the key\n5 | Bbm7    # ii of the ii–V to Ab\n6 | Bbm7\n6 | Eb7b9   # V7 of Ab: the b9 from the symbol\n7 | AbMaj7  # tonic: the 4th is in the key\n8 | Ebm7    # ii of the ii–V to Db\n8 | Ab7     # V7\u002FIV in Ab: natural tensions\n\nsection: C\n1 | DbMaj7  # the Ab7 before it makes Db the key of the moment: the 4th is in the key\n2 | Gb7#11  # back door bVII7 to AbMaj7: the #11 is in the key\n3 | AbMaj7  # tonic: the 4th is in the key\n4 | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | F7      # extended ii–V: a side-step, its own key\n5 | Fm7     # ii of Bb7: Dorian\n5 | Bb7     # V7\u002FV in Ab: natural tensions\n6 | Bbm7    # ii of the ii–V to Ab\n6 | Eb7     # V7 of Ab: natural tensions\n7 | AbMaj7  # tonic: the 4th is in the key\n8 | F7b9    # V7\u002Fii in Ab: the b13 is in the key, the b9 from the symbol\n",1793575902025]