[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:sweet-lorraine":3},"title: Sweet Lorraine\ncomposer: Cliff Burwell\nstyle: Medium Swing\nkey: G\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n# area: G major (A1 1 – B 2)\n1  | G6      # tonic: the 4th is in the key\n1  | F7      # tritone substitute: resolves down a half step to E7\n1  | E7      # V7\u002Fii in G: the b13 is in the key\n2  | Am7     # ii of D7: Dorian\n2  | D7      # V7\u002FI in G: natural tensions\n2  | B7\u002FD#   # V7\u002Fvi in G: b9 and b13 are in the key\n3  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Eb7     # tritone substitute: resolves down a half step to Dm7\n3  | Dm7     # ii of G7: Dorian\n3  | G7      # extended dominant: V7 of C7\n4  | C7      # tritone substitute: resolves down a half step to B7b9\n4  | B7b9    # extended dominant: V7 of E7; b9 from the symbol\n5  | E7      # extended dominant: V7 of A7\n5  | A7      # II7 in G, not resolving: natural tensions\n6  | Am7     # ii of D7: Dorian\n6  | D7      # V7\u002FI in G: natural tensions\n7  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | E7      # V7\u002Fii in G: the b13 is in the key\n8  | Am7     # ii of the ii–V to G\n8  | D7#5    # V7 of G: #11 and b13 from the symbol\n9  | G6      # tonic: the 4th is in the key\n9  | C7      # IV7 in G, not resolving: the #11 is in the key\n9  | C#dim   # ♯IV°7 to I over its 5th: F#7♭9 without its root, the ♯II°7's notes\n10 | G6\u002FD    # tonic: the 4th is in the key\n10 | Dm7     # ii of the ii–V to C\n10 | G7      # V7\u002FIV in G: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | C6      # the G7 before it makes C the key of the moment: the 4th is in the key\n1  | E7      # V7\u002Fii in G: the b13 is in the key\n2  | Am7     # ii: Dorian, the key’s own notes\n2  | Ab7     # tritone substitute: resolves down a half step to Gm7\n# area: F major (B 2–8)\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n3  | E7      # V7\u002Fiii in F: b9 and b13 are in the key\n4  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Ab7     # tritone substitute: resolves down a half step to Gm7\n4  | Gm7     # ii of the ii–V to F\n4  | C7      # V7 of F: natural tensions\n5  | FMaj7   # tonic: the 4th is in the key\n5  | E7      # tritone substitute: resolves down a half step to Eb7#11\n6  | Eb7#11  # tritone substitute: resolves down a half step to D7\n6  | D7      # VI7 in F, not resolving: the b13 is in the key\n7  | FMaj7   # tonic: the 4th is in the key\n7  | E7      # tritone substitute: resolves down a half step to Eb7#11\n8  | Eb7#11  # tritone substitute: resolves down a half step to D7\n# area: G major (B 8 – A2 8)\n8  | D7      # V7 of G: natural tensions\n\nsection: A2\n1  | G6      # tonic: the 4th is in the key\n1  | F7      # tritone substitute: resolves down a half step to E7\n1  | E7      # V7\u002Fii in G: the b13 is in the key\n2  | Am7     # ii of D7: Dorian\n2  | D7      # V7\u002FI in G: natural tensions\n2  | B7\u002FD#   # V7\u002Fvi in G: b9 and b13 are in the key\n3  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Eb7     # tritone substitute: resolves down a half step to Dm7\n3  | Dm7     # ii of G7: Dorian\n3  | G7      # extended dominant: V7 of C7\n4  | C7      # tritone substitute: resolves down a half step to B7b9\n4  | B7b9    # extended dominant: V7 of E7; b9 from the symbol\n5  | E7      # extended dominant: V7 of A7\n5  | A7      # II7 in G, not resolving: natural tensions\n6  | Am7     # ii of the ii–V to G\n6  | D7      # V7 of G: natural tensions\n7  | G6      # tonic: the 4th is in the key\n7  | C7      # IV7 in G, not resolving: the #11 is in the key\n7  | C#dim   # ♯IV°7 to I over its 5th: F#7♭9 without its root, the ♯II°7's notes\n8  | G6\u002FD    # tonic: the 4th is in the key\n8  | D7      # V7 of G: natural tensions\n",1793575901946]