[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:sweet-and-lovely":3},"title: Sweet And Lovely\ncomposer: Arnheim, Daniels, Tobias\nstyle: Medium Swing\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: C major (A1 1–2)\n1 | Gm7     # ii of C7: Dorian\n2 | C7      # V7\u002FIV in C: natural tensions\n# area: Bb major (A1 3–7)\n3 | Gm7     # ii of C7: Dorian\n4 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n5 | F7      # V7 of Bb: natural tensions\n6 | BbMaj7  # tonic: the 4th is in the key\n6 | Eb7     # IV7 in Bb, not resolving: the #11 is in the key\n7 | CMaj7   # a non-tonic major chord: Lydian\n# area: C major (A1 7 – A2 2)\n7 | G7      # V7 of C: natural tensions\n8 | C6      # tonic: the 4th is in the key\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | Fm7     # ii of Bb7: Dorian\n1 | Bb7     # back door bVII7 to CMaj7: the #11 is in the key\n2 | CMaj7   # tonic: the 4th is in the key\n3 | Fm7     # ii of Bb7: Dorian\n3 | Bb7     # back door bVII7 to CMaj7: the #11 is in the key\n4 | CMaj7   # tonic: the 4th is in the key\n5 | Abm7    # ii of Db7: Dorian\n5 | Db7     # back door bVII7 to EbMaj7: b9, #11 and b13 are in the key\n6 | EbMaj7  # ♭IIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n7 | Ebm7    # ii of Ab7: Dorian\n7 | Ab7     # extended ii–V: a side-step, its own key\n8 | Dm7     # ii of G7: Dorian\n8 | G7      # V7\u002FI in C: natural tensions\n\nsection: A3\n1 | Gm7     # ii of C7: Dorian\n2 | C7      # V7\u002FIV in C: natural tensions\n# area: Bb major (A3 3–7)\n3 | Gm7     # ii of C7: Dorian\n4 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n5 | F7      # V7 of Bb: natural tensions\n6 | BbMaj7  # tonic: the 4th is in the key\n6 | Eb7     # IV7 in Bb, not resolving: the #11 is in the key\n7 | CMaj7   # a non-tonic major chord: Lydian\n# area: C major (A3 7–8)\n7 | G7      # V7 of C: natural tensions\n8 | C6      # tonic: the 4th is in the key\n",1793575901904]