[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:sunny-side-of-the-street":3},"title: On the Sunny Side of the Street\nsubtitle: Medium swing\ncomposer: Jimmy McHugh\nstyle: Medium\nkey: C\nform: AABA, 32 bars\nrecording: Dizzy Gillespie, Sonny Stitt and Sonny Rollins; Sonny Side Up; Verve; 1959\nyoutube: 89-0QSG262A\n# analysis: 2026-10-19, rules v2; C\n# recording: recorded 1957-12-19, Nola Penthouse Sound Studios, New York, with Ray Bryant, Tom Bryant, Charlie Persip, Gillespie singing, MG V-8262 (Wikipedia: January 1959, citing Billboard; jazzdisco: 1958); songbook standard (1930) → the best-known modern jazz reading, over Louis Armstrong's vocals; sources: jazzdisco, Wikipedia; video: \"Provided to YouTube by Universal Music Group\", Dizzy 100, the same take\n\n# bar | chord | scale\n\nsection: A1\n1 | C6\u002F9    # tonic: the 4th is in the key\n2 | Bm7     # ii of E7: Dorian\n2 | E7      # extended ii–V: a side-step, its own key\n3 | FMaj7   # IV: the #4 is the key’s 7th\n4 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | E7      # V7\u002Fvi in C: b9 and b13 are in the key\n5 | Am7     # ii of D7: Dorian\n6 | D7      # V7\u002FV in C: natural tensions\n7 | Dm7     # ii of G7: Dorian\n7 | G7      # V7\u002FI in C: natural tensions\n8 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | A7      # V7\u002Fii in C: the b13 is in the key\n8 | Dm7     # ii of the ii–V to C\n8 | G7      # V7 of C: natural tensions\n\nsection: A2\n1 | C6\u002F9    # tonic: the 4th is in the key\n2 | Bm7     # ii of E7: Dorian\n2 | E7      # extended ii–V: a side-step, its own key\n3 | FMaj7   # IV: the #4 is the key’s 7th\n4 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | E7      # V7\u002Fvi in C: b9 and b13 are in the key\n5 | Am7     # ii of D7: Dorian\n6 | D7      # V7\u002FV in C: natural tensions\n7 | Dm7     # ii of the ii–V to C\n7 | G7      # V7 of C: natural tensions\n8 | C6\u002F9    # tonic: the 4th is in the key\n\nsection: B\n1 | Gm7     # ii of the ii–V to F\n2 | C7      # V7\u002FIV in C: natural tensions\n3 | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n3 | C7      # V7\u002FIV in C: natural tensions\n4 | F6\u002F9    # the C7 before it makes F the key of the moment: the 4th is in the key\n4 | E7\u002FC    # III7 in C, not resolving: b9 and b13 are in the key\n4 | E7\u002FB    # tritone substitute: resolves down a half step to Eb7\u002FBb\n4 | Eb7\u002FBb  # ♭III7 from the parallel minor: Lydian Dominant\n5 | Am7     # ii of D7: Dorian\n6 | D7      # V7\u002FV in C: natural tensions\n7 | Dm7     # ii of G7sus4: Dorian\n8 | G7sus4  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8 | G7      # V7 of C: natural tensions\n\nsection: A3\ncopy: A2\n",1793484802194]