[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:strollin":3},"title: Strollin'\ncomposer: Horace Silver\nstyle: Medium\nkey: Db\nform: AB, 32 bars\nrecording: The Horace Silver Quintet; Horace-Scope; Blue Note; 1960\nyoutube: SBvY_bkRad0\n# analysis: 2026-10-19, rules v2; Db\n# recording: recorded 1960-07-08, take 14, Blue Note BLP 4042; also on single 45-1784 (with Nica's Dream) (jazzdisco.org, MusicBrainz release group)\n\n# bar | chord | scale\n\nsection: Coda\n1  | DbMaj7     # tonic: the 4th is in the key\n1  | Gb7#11     # tritone substitute: resolves down a half step to Fm7\n2  | Fm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Bb7#9      # V7\u002Fii in Db: the b13 is in the key, b9, #9 and #11 from the symbol\n3  | Ebm7       # ii of the ii–V to Db\n3  | Ab7#9      # V7 of Db: b9, #9 and #11 from the symbol\n4  | DbMaj7#11  # from the symbol: #11\n\nsection: A\n# the coda is a DbMaj7 turnaround with #11 colors\n1  | DbMaj7     # tonic: the 4th is in the key\n3  | Em7        # ii of A7: Dorian\n3  | A7         # extended ii–V: a side-step, its own key\n4  | Ebm7       # ii of the ii–V to Db\n4  | Ab7        # V7 of Db: natural tensions\n5  | DbMaj7     # tonic: the 4th is in the key\n7  | Abm7       # ii of Db7: Dorian\n7  | Db7        # V7\u002FIV in Db: natural tensions\n8  | Gm7        # ii of the ii–V to F minor\n8  | C7         # V7\u002Fiii in Db: b9 and b13 are in the key\n9  | Fm         # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Bbm        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | Ebm7       # ii of the ii–V to Db\n12 | Ab7        # V7 of Db: natural tensions\n13 | DbMaj7     # tonic: the 4th is in the key\n14 | Bbm7       # ii of Eb7#11: Dorian\n15 | Eb7#11     # tritone substitute: resolves down a half step to D7alt\n16 | D7alt      # from the symbol: altered\n\nsection: B\n1  | DbMaj7     # tonic: the 4th is in the key\n3  | Em7        # ii of A7: Dorian\n3  | A7         # extended ii–V: a side-step, its own key\n4  | Ebm7       # ii of the ii–V to Db\n4  | Ab7        # V7 of Db: natural tensions\n5  | DbMaj7     # tonic: the 4th is in the key\n7  | Abm7       # ii of Db7: Dorian\n7  | Db7        # V7\u002FIV in Db: natural tensions\n8  | Gm7        # ii of the ii–V to F minor\n8  | C7         # V7\u002Fiii in Db: b9 and b13 are in the key\n9  | Fm         # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Bbm7       # ii of Eb7#11: Dorian\n11 | Eb7#11     # V7\u002FV in Db: the #11 from the symbol\n12 | F#m7       # ii of B7: Dorian\n12 | B7         # extended ii–V: a side-step, its own key\n13 | Fm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | Bb7        # V7\u002Fii in Db: the b13 is in the key\n14 | Ebm7       # ii of the ii–V to Db\n14 | Ab7        # V7 of Db: natural tensions\n15 | DbMaj7     # tonic: the 4th is in the key\n15 | Fm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n16 | Ebm7       # ii of the ii–V to Db\n16 | Ab7        # V7 of Db: natural tensions\n",1793484803622]