[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:street-of-dreams":3},"title: Street Of Dreams\ncomposer: Victor Young\nstyle: Ballad\nkey: Eb\nform: AB, 16 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: Verse\noutside: yes\n# area: Eb major (Verse 1–2)\n1  | Ebm6    # a minor sixth chord: Dorian\n2  | B7      # tritone substitute: resolves down a half step to Bb7b13\n# area: Eb minor (Verse 2 – A 1)\n2  | Bb7b13  # V7 of Eb minor: b9 and b13 are in the key\n3  | Ebm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n4  | B7      # tritone substitute: resolves down a half step to Bb7b13\n4  | Bb7b13  # V7 of Eb minor: b9 and b13 are in the key\n5  | Ebm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n5  | Db7     # bVII7 in Eb minor, not resolving: natural tensions\n6  | B7      # tritone substitute: resolves down a half step to Bb7\n6  | Bb7     # V7 of Eb minor: b9 and b13 are in the key\n7  | Ebm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n7  | A9#11   # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n8  | Bbm7b5  # iiø7 of Ab minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | Eb7b9   # V7\u002Fiv in Eb minor: the b13 is in the key, the b9 from the symbol\n9  | Abm6    # a minor sixth chord: Dorian\n10 | Bb7b13  # V7 in Eb minor, not resolving: b9 and b13 are in the key\n10 | E9      # tritone substitute: resolves down a half step to Ebm6\n11 | Ebm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n12 | B7      # tritone substitute: resolves down a half step to Bb7b13\n12 | Bb7b13  # V7 of Eb minor: b9 and b13 are in the key\n13 | Ebm     # tonic minor: Dorian by convention\n13 | Db7     # bVII7 in Eb minor, not resolving: natural tensions\n14 | B7      # tritone substitute: resolves down a half step to Bb7\n14 | Bb7     # V7 in Eb minor, not resolving: b9 and b13 are in the key\n15 | Cm7b5   # viø7 in Eb minor: Locrian, its own mode (the chord is outside the key)\n15 | B7      # bVI7 in Eb minor, not resolving: the #11 is in the key\n16 | Fm7     # ii of Bb7: Dorian\n16 | Bb7     # extended ii–V: a side-step, its own key\n\nsection: A\n1  | F7      # II7 in Eb minor, not resolving: b9 and b13 are in the key\n# area: Eb major (A 2 – B 8)\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | EbMaj7  # tonic: the 4th is in the key\n3  | AbMaj7  # IV: the #4 is the key’s 7th\n4  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | C7#5    # extended dominant: V7 of F7; #11 and b13 from the symbol\n5  | F7      # II7 in Eb, not resolving: natural tensions\n6  | Fm7     # ii of the ii–V to Eb\n6  | Bb7     # V7 of Eb: natural tensions\n7  | EbMaj7  # tonic: the 4th is in the key\n7  | Bb7#5   # V7 of the EbMaj7 before it: #11 and b13 from the symbol\n8  | Bbm7    # ii of the ii–V to Ab\n8  | Eb7     # V7\u002FIV in Eb: natural tensions\n\nsection: B\n1  | Ab6     # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2  | Db7     # back door bVII7 to EbMaj7: the #11 is in the key\n3  | EbMaj7  # tonic: the 4th is in the key\n4  | Db7     # tritone substitute: resolves down a half step to C7b9\n4  | C7b9    # extended dominant: V7 of F7; b9 from the symbol\n5  | F7      # II7 in Eb, not resolving: natural tensions\n6  | B7#5    # ♭VI7 from the parallel minor: Lydian Dominant; b13 from the symbol\n7  | Fm7     # ii of the ii–V to Eb\n7  | Bb7     # V7 of Eb: natural tensions\n8  | Eb6     # tonic: the 4th is in the key\nalt 8  | Eb6     # tonic: the 4th is in the key\nalt 8  | C7      # VI7 in Eb, not resolving: the b13 is in the key\n",1793575901598]