[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:strayhorn-2":3},"title: Strayhorn 2\ncomposer: Gerry Mulligan\nstyle: Ballad\nkey: D\nform: A, 18 bars\n# analysis: 2026-10-31, rules v2; D\n\nsection: A\n# area: D major (A 1–11)\n1  | DMaj7    # tonic: the 4th is in the key\n1  | Em7b5\u002FD  # iiø7, borrowed from D minor: Locrian\n2  | Ddim     # auxiliary diminished: it decorates the chord and returns to it\n2  | DMaj7    # tonic: the 4th is in the key\n3  | Ddim     # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n3  | Gm7      # iv7 from the parallel minor: Dorian, its notes\n4  | DMaj7    # tonic: the 4th is in the key\n4  | Em7      # ii of the ii–V to D\n4  | A7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n5  | DMaj7    # tonic: the 4th is in the key\n5  | Em7b5\u002FD  # iiø7, borrowed from D minor: Locrian\n6  | Ddim     # auxiliary diminished: it decorates the chord and returns to it\n6  | DMaj9    # tonic: the 4th is in the key\n7  | Ddim     # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n7  | Gm11     # iv7 from the parallel minor: Dorian, its notes\n8  | DMaj7    # tonic: the 4th is in the key\n8  | Ab9      # tritone substitute: resolves down a half step to GMaj7\n9  | GMaj7    # the Ab9 before it makes G the key of the moment: the 4th is in the key\n9  | A\u002FG      # V without its 7th: Mixolydian, the key’s own notes\n10 | F#m7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | FMaj7    # ♭IIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n11 | C\u002FE      # ♭VII, borrowed from D minor: Lydian (its ♯11 is in the key)\n11 | FMaj7    # ♭IIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n# area: E major (A 12–18)\n12 | F#m      # ii of the ii–V to E\n12 | B7       # V7 of E: natural tensions\n12 | EMaj7    # tonic: the 4th is in the key\n12 | Bb7      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n13 | GMaj7\u002FA  # ♭IIImaj7, borrowed from E minor: Lydian (its ♯11 is in the key)\n14 | DMaj7    # ♭VIImaj7, borrowed from E minor: Lydian (its ♯11 is in the key)\n14 | Em7b5\u002FD  # iø7 in E: Locrian, its own mode (the chord is outside the key)\n15 | Ddim     # auxiliary diminished: it decorates the chord and returns to it; not functioning diatonically: the symmetric scale\n15 | DMaj9    # ♭VIImaj7, borrowed from E minor: Lydian (its ♯11 is in the key)\n16 | Ddim     # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n16 | Gm7      # a borrowed minor chord: Dorian, its own key\n17 | DMaj7    # ♭VIImaj7, borrowed from E minor: Lydian (its ♯11 is in the key)\n17 | Gm11     # a borrowed minor chord: Dorian, its own key\n18 | DMaj7    # ♭VIImaj7, borrowed from E minor: Lydian (its ♯11 is in the key)\n# area: D major (A 18)\n18 | Em7      # ii of the ii–V to D\n18 | A7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n",1793575901584]