[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:straight-street":3},"title: Straight Street\ncomposer: John Coltrane\nstyle: Up Tempo Swing\nkey: Ebm\nform: AABA, 48 bars\n# analysis: 2026-10-31, rules v2; Eb minor\n\nsection: A1\n# area: Eb minor (A1 1 – B 4)\n1  | Bm7    # ii of the ii–V to A minor\n1  | E7     # V7\u002F#iv in Eb minor: the #11 is in the key\n2  | Am7    # ii of the ii–V to G minor\n2  | D7     # V7\u002Fiii in Eb minor: b9 and #11 are in the key\n3  | Gm7    # ii of the ii–V to F minor\n3  | C7     # V7\u002Fii in Eb minor: b9 and b13 are in the key\n4  | Fm7    # ii of the ii–V to Eb minor\n4  | Bb7    # V7 of Eb minor: b9 and b13 are in the key\n5  | Ebm7   # tonic minor: Dorian by convention\n6  | E7     # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n7  | Gb7    # bIII7 in Eb minor, not resolving: natural tensions\n8  | D7     # VII7 in Eb minor, not resolving: b9 and #11 are in the key\n9  | Fm7    # ii of the ii–V to Eb minor\n10 | Bb7    # V7 of Eb minor: b9 and b13 are in the key\n11 | Ebm7   # tonic minor: Dorian by convention\n12 | Ebm7\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | Dbm7   # ii of Gb7: Dorian\n2  | Gb7    # V7\u002FbVI in Eb minor: natural tensions\n3  | Ebm7   # ii of Ab7: Dorian\n4  | Ab7    # V7\u002FbVII in Eb minor: natural tensions\n# area: D major (B 5 – A3 3)\n5  | Em7    # ii of the ii–V to D\n6  | A7     # V7 of D: natural tensions\n7  | DMaj7  # tonic: the 4th is in the key\n8  | C7#11  # tritone substitute: resolves down a half step to Bm\n9  | Bm     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | C#7    # V7\u002Fiii in D: b9 and b13 are in the key\n11 | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n11 | B7     # extended ii–V: a side-step, its own key\n12 | Gm7    # ii of C7: Dorian\n12 | C7     # tritone substitute: resolves down a half step to Bm7\n\nsection: A3\n1  | Bm7    # ii of the ii–V to A minor\n1  | E7     # V7\u002Fv in D: natural tensions\n2  | Am7    # ii of the ii–V to G minor\n2  | D7     # V7\u002Fiv in D: natural tensions\n3  | Gm7    # ii of the ii–V to F minor\n3  | C7     # V7\u002Fbiii in D: the #11 is in the key\n# area: Eb minor (A3 4–12)\n4  | Fm7    # ii of the ii–V to Eb minor\n4  | Bb7    # V7 of Eb minor: b9 and b13 are in the key\n5  | Ebm7   # tonic minor: Dorian by convention\n6  | E7     # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n7  | Gb7    # bIII7 in Eb minor, not resolving: natural tensions\n8  | D7     # VII7 in Eb minor, not resolving: b9 and #11 are in the key\n9  | Fm7    # ii of the ii–V to Eb minor\n10 | Bb7    # V7 of Eb minor: b9 and b13 are in the key\n11 | Ebm7   # tonic minor: Dorian by convention\n12 | Ebm7\n",1793575901528]