[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:stars-fell-on-alabama":3},"title: Stars Fell On Alabama\ncomposer: Frank Perkins\nstyle: Ballad\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: C major (A1 1 – B 6)\n1  | CMaj7  # tonic: the 4th is in the key\n1  | A7     # V7\u002Fii in C: the b13 is in the key\n2  | Dm7    # ii of the ii–V to C\n2  | G7     # V7 of C: natural tensions\n3  | CMaj7  # tonic: the 4th is in the key\n3  | FMaj7  # IV: the #4 is the key’s 7th\n4  | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | A7b9   # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n5  | Dm7    # ii of the ii–V to C\n6  | G7     # V7 of C: natural tensions\n7  | CMaj7  # tonic: the 4th is in the key\n7  | A7     # V7\u002Fii in C: the b13 is in the key\n8  | Dm7    # ii of the ii–V to C\n8  | G7     # V7 of C: natural tensions\n9  | C6     # tonic: the 4th is in the key\n9  | Fm7    # iv7 from the parallel minor: Dorian, its notes\n10 | C6     # tonic: the 4th is in the key\n10 | A7     # V7\u002Fii in C: the b13 is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Dm7    # ii of G7: Dorian\n1  | G7     # V7\u002FI in C: natural tensions\n2  | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | A7     # V7\u002Fii in C: the b13 is in the key\n3  | Dm7    # ii of the ii–V to C\n3  | G7     # V7 of C: natural tensions\n4  | C6     # tonic: the 4th is in the key\n4  | A7     # V7\u002Fii in C: the b13 is in the key\n5  | Dm7    # ii: Dorian, the key’s own notes\n5  | Dm\u002FC   # ii: Dorian, the key’s own notes\n5  | Bm7b5  # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | E7     # V7\u002Fvi in C: b9 and b13 are in the key\n6  | Am7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Am7\u002FG  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: E major (B 7–8)\n7  | F#m7   # ii of the ii–V to E\n7  | B7     # V7 of E: natural tensions\n8  | EMaj7  # tonic: the 4th is in the key\n# area: C major (B 8 – A2 8)\n8  | Dm7    # ii of the ii–V to C\n8  | G7     # V7 of C: natural tensions\n\nsection: A2\n1  | CMaj7  # tonic: the 4th is in the key\n1  | A7     # V7\u002Fii in C: the b13 is in the key\n2  | Dm7    # ii of the ii–V to C\n2  | G7     # V7 of C: natural tensions\n3  | CMaj7  # tonic: the 4th is in the key\n3  | FMaj7  # IV: the #4 is the key’s 7th\n4  | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | A7b9   # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n5  | Dm7    # ii of the ii–V to C\n6  | G7     # V7 of C: natural tensions\n7  | CMaj7  # tonic: the 4th is in the key\n7  | A7     # V7\u002Fii in C: the b13 is in the key\n8  | Dm7    # ii of the ii–V to C\n8  | G7     # V7 of C: natural tensions\n",1793575901404]