[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:star-eyes":3},"title: Star Eyes\ncomposer: Gene de Paul\nstyle: Latin\nkey: Eb\nform: AABC, 36 bars\nrecording: Art Pepper; Art Pepper Meets the Rhythm Section; Contemporary; 1957\nyoutube: a_XtFZP8We4\n# analysis: 2026-10-19, rules v2; Eb\n# recording: recorded 1957-01-19, Contemporary's studio, Los Angeles, with Red Garland, Paul Chambers, Philly Joe Jones, Contemporary C3532; songbook standard → Pepper's reading, a well-documented LP; Charlie Parker's 1951 Clef 78 (with Miles Davis) is the bop landmark, but its first LP couldn't be confirmed; video: Art Pepper's official channel, \"Official Visualizer\", the album track, the same take\n\n# bar | chord | scale\n# the intro and coda vamps are melody only (no chords) and are left out\n\nsection: A1\n# area: Eb major (A1 1–3)\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | EbMaj7  # tonic: the 4th is in the key\n# area: Db major (A1 4–5)\n4  | Ebm7    # ii of the ii–V to Db\n4  | Ab7     # V7 of Db: natural tensions\n5  | DbMaj7  # tonic: the 4th is in the key\n# area: F major (A1 6–7)\n6  | Gm7b5   # iiø7 of F: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | C7alt   # from the symbol: altered\n7  | FMaj7   # tonic: the 4th is in the key\n# area: Eb major (A1 8 – A2 3)\n8  | Fm7b5   # iiø7 of Eb: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | EbMaj7  # tonic: the 4th is in the key\n# area: Db major (A2 4–5)\n4  | Ebm7    # ii of the ii–V to Db\n4  | Ab7     # V7 of Db: natural tensions\n5  | DbMaj7  # tonic: the 4th is in the key\n# area: F major (A2 6–8)\n6  | Gm7b5   # iiø7 of F: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | C7alt   # from the symbol: altered\n7  | FMaj7   # tonic: the 4th is in the key\n8  | Fm7b5   # iiø7 of Bb7: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | Bb7     # tritone substitute: resolves down a half step to A7\n# area: Eb major (A2 8 – B 1)\n8  | A7      # tritone substitute: resolves down a half step to AbMaj7\n\nsection: B\n1  | AbMaj7  # the A7 before it makes Ab the key of the moment: the 4th is in the key\n# area: Gb major (B 3–4)\n3  | Abm7    # ii of the ii–V to Gb\n3  | Db7     # V7 of Gb: natural tensions\n4  | GbMaj7  # tonic: the 4th is in the key\n# area: Eb major (B 6 – C 3)\n6  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n\nsection: C\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | EbMaj7  # tonic: the 4th is in the key\n# area: Db major (C 4–5)\n4  | Ebm7    # ii of the ii–V to Db\n4  | Ab7     # V7 of Db: natural tensions\n5  | DbMaj7  # tonic: the 4th is in the key\n# area: F major (C 6–10)\n6  | Gm7b5   # iiø7 of F: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | C7alt   # from the symbol: altered\n7  | FMaj7   # tonic: the 4th is in the key\n8  | Fm7b5   # iiø7 of Bb7: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | Bb7     # extended dominant: V7 of Eb7\n9  | Eb7     # tritone substitute: resolves down a half step to D7\n9  | D7      # tritone substitute: resolves down a half step to Db7\n10 | Db7     # tritone substitute: resolves down a half step to C7b9\n10 | C7b9    # V7 of F: the b9 from the symbol\n# area: Eb major (C 11–12)\n11 | Fm7     # ii of the ii–V to Eb\n11 | Fm7\u002FBb  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n12 | EbMaj7  # tonic: the 4th is in the key\n",1793484803545]