[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:squeeze-me":3},"title: Squeeze Me\nsubtitle: Medium (Just Squeeze Me)\ncomposer: Duke Ellington\nstyle: Medium\nkey: F\nform: AABA, 32 bars\nrecording: Miles Davis Quintet; Miles: The New Miles Davis Quintet; Prestige; 1956\nyoutube: 7BqWr1En4pk\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1955-11-16, Van Gelder Studio, Hackensack, Miles Davis with John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones, master 816, Prestige PRLP 7014; Ellington's own first recording (1946-07-09, Hollywood, Ray Nance vocal, RCA Victor 20-1992) is a 78 whose first LP could not be confirmed → the quintet's instrumental reading as the LP-era reference (jazzdisco, DAHR, Wikipedia); video: Miles Davis's official channel (Craft Recordings), \"Official Visualizer\" from Miles: The New Miles Davis Quintet, the same take\n\n# bar | chord | scale\n\nsection: A1\n1 | FMaj7   # tonic: the 4th is in the key\n1 | Gm7     # ii: Dorian, the key’s own notes\n2 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Gm7     # ii: Dorian, the key’s own notes\n3 | FMaj7   # tonic: the 4th is in the key\n3 | Gm7     # ii: Dorian, the key’s own notes\n4 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | D7      # V7\u002Fii in F: the b13 is in the key\n5 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n8 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n\nsection: A2\nbars: 8\n1 | FMaj7   # tonic: the 4th is in the key\n1 | Gm7     # ii: Dorian, the key’s own notes\n2 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Gm7     # ii: Dorian, the key’s own notes\n3 | FMaj7   # tonic: the 4th is in the key\n3 | Gm7     # ii: Dorian, the key’s own notes\n4 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | D7      # V7\u002Fii in F: the b13 is in the key\n5 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n\nsection: B\n1 | F7      # I7 in F, not resolving: natural tensions\n1 | Cm7     # ii of F7: Dorian\n2 | F7      # V7\u002FIV in F: natural tensions\n2 | Cm7     # a borrowed minor chord: Dorian, its own key\n3 | BbMaj7  # IV: the #4 is the key’s 7th\n5 | G7      # II7 in F, not resolving: natural tensions\n5 | Dm7     # ii of G7: Dorian\n6 | G7      # V7\u002FV in F: natural tensions\n6 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n\nsection: A3\ncopy: A1\n",1793484803521]