[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:spring-is-here":3},"title: Spring Is Here\ncomposer: Richard Rodgers\nstyle: Ballad\nkey: Ab\nform: ABAC, 36 bars\n# analysis: 2026-10-31, rules v2; Ab\n\nsection: A1\n1  | Abdim7  # auxiliary diminished: it decorates the chord and returns to it\n2  | Ab6     # tonic: the 4th is in the key\n3  | Abdim7  # auxiliary diminished: it decorates the chord and returns to it\n4  | Ab6     # tonic: the 4th is in the key\n5  | Cm7b5   # iiø7 of Bb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | F7b9    # V7\u002Fii in Ab: the b13 is in the key, the b9 from the symbol\n6  | Bbm7    # ii: Dorian, the key’s own notes\n7  | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | F7      # V7\u002Fii in Ab: the b13 is in the key\n8  | Bbm7    # ii of the ii–V to Ab\n8  | Eb7     # V7 of Ab: natural tensions\n\nsection: B\n1  | AbMaj7  # tonic: the 4th is in the key\n2  | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Bbm7    # ii: Dorian, the key’s own notes\n4  | C7b13   # V7\u002Fvi in Ab: b9 and b13 are in the key\n5  | Fm6     # a minor sixth chord: Dorian\n6  | Fm6\n7  | Bb7     # V7 of V7: the dominant of the dominant: natural tensions\n8  | Eb7     # V7 of Ab: natural tensions\n\nsection: A2\n1  | Abdim7  # auxiliary diminished: it decorates the chord and returns to it\n2  | Ab6     # tonic: the 4th is in the key\n3  | Abdim7  # auxiliary diminished: it decorates the chord and returns to it\n4  | Ab6     # tonic: the 4th is in the key\n5  | Cm7b5   # iiø7 of Bb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | F7b9    # V7\u002Fii in Ab: the b13 is in the key, the b9 from the symbol\n6  | Bbm7    # ii: Dorian, the key’s own notes\n7  | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | F7      # V7\u002Fii in Ab: the b13 is in the key\n8  | Bbm7    # ii of the ii–V to Ab\n8  | Eb7     # V7 of Ab: natural tensions\n\nsection: C\n1  | AbMaj7  # tonic: the 4th is in the key\n2  | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Bm7     # ii of E7: Dorian\n3  | E7      # extended ii–V: a side-step, its own key\n4  | Bbm7    # ii of Eb7: Dorian\n4  | Eb7     # V7\u002FI in Ab: natural tensions\n5  | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | F7      # V7\u002Fii in Ab: the b13 is in the key\n6  | Bbm7    # ii of Eb7: Dorian\n6  | Eb7     # V7\u002FI in Ab: natural tensions\n7  | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | F7      # extended ii–V: a side-step, its own key\n8  | Dm7b5   # #ivø7 in Ab: Locrian, its own mode (the chord is outside the key)\n8  | Dbm6    # a minor sixth chord: Dorian\n9  | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | F7      # V7\u002Fii in Ab: the b13 is in the key\n10 | Bbm7    # ii of the ii–V to Ab\n10 | Eb7     # V7 of Ab: natural tensions\n11 | Ab6     # tonic: the 4th is in the key\n11 | DbMaj7  # IV: the #4 is the key’s 7th\n12 | Ab6     # tonic: the 4th is in the key\n12 | Bbm7    # ii of Eb7: Dorian\n12 | Eb7     # V7 of Ab: natural tensions\n",1793575901284]