[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:speak-low":3},"title: Speak Low\ncomposer: Kurt Weill\nstyle: Up\nkey: F\nform: AABC, 56 bars\nrecording: Sonny Clark; Sonny's Crib; Blue Note; 1958\nyoutube: K4-TDkdu5ds\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1957-09-01, Van Gelder Studio, Hackensack (Donald Byrd, Curtis Fuller, John Coltrane, Paul Chambers, Art Taylor), Blue Note BLP 1576; songbook standard (One Touch of Venus, 1943) → the hard-bop reading with Coltrane; Walter Bishop Jr.'s Speak Low (Jazztime, 1961) is the trio reading, but its master take isn't named in the sources; sources: jazzdisco, Wikipedia; video: \"Provided to YouTube by Universal Music Group\", Sonny's Crib, the same take\n\n# bar | chord | scale\n# the solo changes; the bridge's last two bars can also be Db7 | C7\n\nsection: A1\n1  | Gm7     # ii of C7: Dorian\n2  | C7      # V7\u002FI in F: natural tensions\n3  | Gm7     # ii of C7: Dorian\n4  | C7      # V7\u002FI in F: natural tensions\n5  | Gm7     # ii of C7: Dorian\n6  | C7      # V7\u002FI in F: natural tensions\n7  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | D7      # extended ii–V: a side-step, its own key\n9  | Bbm7    # ii of Eb7: Dorian\n10 | Eb7     # extended ii–V: a side-step, its own key\n11 | Bbm7    # ii of Eb7: Dorian\n12 | Eb7     # extended ii–V: a side-step, its own key\n13 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | D7      # V7\u002Fii in F: the b13 is in the key\n14 | Gm7     # ii of the ii–V to F\n14 | C7      # V7 of F: natural tensions\n15 | FMaj7   # tonic: the 4th is in the key\n16 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n16 | D7      # V7\u002Fii in F: the b13 is in the key\n\nsection: A2\nbars: 16\n1  | Gm7     # ii of C7: Dorian\n2  | C7      # V7\u002FI in F: natural tensions\n3  | Gm7     # ii of C7: Dorian\n4  | C7      # V7\u002FI in F: natural tensions\n5  | Gm7     # ii of C7: Dorian\n6  | C7      # V7\u002FI in F: natural tensions\n7  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | D7      # extended ii–V: a side-step, its own key\n9  | Bbm7    # ii of Eb7: Dorian\n10 | Eb7     # extended ii–V: a side-step, its own key\n11 | Bbm7    # ii of Eb7: Dorian\n12 | Eb7     # extended ii–V: a side-step, its own key\n13 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | D7      # V7\u002Fii in F: the b13 is in the key\n14 | Gm7     # ii of the ii–V to F\n14 | C7      # V7 of F: natural tensions\n15 | FMaj7   # tonic: the 4th is in the key\n\nsection: B\n1  | AbMaj7  # ♭IIImaj7, borrowed from F minor: Lydian (its ♯11 is in the key)\n3  | Db7#11  # back door bVII7 to EbMaj7: the #11 is in the key, the 9 from the symbol\n5  | EbMaj7  # ♭VIImaj7, borrowed from F minor: Lydian (its ♯11 is in the key)\n7  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n7  | E7alt   # from the symbol: altered\n8  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | D7      # V7\u002Fii in F: the b13 is in the key\n\nsection: C\n1  | Gm7     # ii of C7: Dorian\n2  | C7      # V7\u002FI in F: natural tensions\n3  | Gm7     # ii of C7: Dorian\n4  | C7      # V7\u002FI in F: natural tensions\n5  | Gm7     # ii of C7: Dorian\n6  | C7      # V7\u002FI in F: natural tensions\n7  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | D7      # extended ii–V: a side-step, its own key\n9  | Bbm7    # ii of Eb7: Dorian\n10 | Eb7     # extended ii–V: a side-step, its own key\n11 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n13 | Gm7     # ii of the ii–V to F\n14 | C7      # V7 of F: natural tensions\n15 | FMaj7   # tonic: the 4th is in the key\n16 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n16 | D7      # V7\u002Fii in F: the b13 is in the key\n",1793484803448]