[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:speak-like-a-child":3},"title: Speak Like A Child\ncomposer: Herbie Hancock\nstyle: Bossa Nova\nkey: Am\nform: AB, 48 bars\n# analysis: 2026-10-31, rules v2; A minor\n\nsection: A\n# area: A minor (A 1–10)\n1  | C#7alt      # from the symbol: altered\n2  | C#7alt\n3  | G#7alt      # from the symbol: altered\n4  | E9sus       # V7sus4 of Am7: the b13 is in the key\n4  | Am7         # tonic minor: Dorian by convention\n5  | Bb13        # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n6  | Bb7#5       # a chromatic dominant with nowhere to go: Lydian Dominant, its own key; b13 from the symbol\n7  | Bbm9        # ii of Eb13: Dorian\n8  | Eb13        # extended dominant: V7 of Ab13sus\n9  | Ab13sus     # VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n10 | Ab13sus\n10 | Ab13b9      # tritone substitute: resolves down a half step to G7alt; b9 from the symbol\n# area: Gb major (A 11–21)\n11 | G7alt       # from the symbol: altered\n12 | G7alt\n13 | GbMaj7#11   # from the symbol: #11\n14 | GbMaj7#11\n15 | Gbdim7      # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n16 | Gbdim7\n17 | Eb9sus      # VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n18 | Eb13        # VI7 in Gb, not resolving: the 13 from the symbol\n19 | Ebm9        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n20 | D7#9        # tritone substitute: resolves down a half step to Db7alt; b9 and #9 from the symbol\n21 | Db7alt      # from the symbol: altered\n# area: A minor (A 21 – B 10)\n21 | C7          # V7\u002FbVI in A minor: natural tensions\n22 | FMaj7       # a non-tonic major chord: Lydian\n22 | Bbm9        # a borrowed minor chord: Dorian, its own key\n23 | Am9         # tonic minor: Dorian by convention\n24 | E9sus       # static sus: Mixolydian\n\nsection: B\n1  | C#7alt      # from the symbol: altered\n2  | C#7alt\n3  | G#7alt      # from the symbol: altered\n4  | E9sus       # V7sus4 of Am7b5: the b13 is in the key\n4  | Am7b5       # iø7 in A minor: Locrian, its own mode (the chord is outside the key)\n5  | Bb13        # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n6  | Bb7#5       # tritone substitute: resolves down a half step to A7#9#5; b13 from the symbol\n7  | A7#9#5      # I7 in A minor, not resolving: the b13 is in the key, b9, #9 and #11 from the symbol\n8  | A13b9       # tritone substitute: resolves down a half step to Ab13; b9 from the symbol\n9  | Ab13        # VII7 in A minor, not resolving: b9 and #11 are in the key\n10 | Ab13b9      # tritone substitute: resolves down a half step to G7alt; b9 from the symbol\n# area: Gb major (B 11–24)\n11 | G7alt       # from the symbol: altered\n12 | G7alt\n13 | GbMaj7#11   # from the symbol: #11\n14 | GbMaj7#11\n15 | Gbdim7      # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n16 | Gbdim7\n16 | Fm          # a borrowed minor chord: Dorian, its own key\n17 | DbMaj7#5\u002FF  # from the symbol: #5\n18 | DbMaj7#5\u002FF\n19 | GbMaj7#11   # from the symbol: #11\n20 | GbMaj7#11\n21 | C\u002FDb        # a non-tonic major chord: Lydian\n21 | Bb\u002FC        # a non-tonic major chord: Lydian\n22 | C\u002FB         # a non-tonic major chord: Lydian\n22 | Bbm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n23 | Am9         # a borrowed minor chord: Dorian, its own key\n24 | E9sus       # static sus: Mixolydian\n@nav 24 D.C. on cue\n",1793575901201]