[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:sozinho":3},"title: Sozinho\ncomposer: Peninha\nstyle: Slow Bossa Nova\nkey: D\nform: AAB, 14 bars\nrecording: Caetano Veloso; Prenda Minha; Mercury; 1998\nyoutube: e7utABB3V_A\n# analysis: 2026-10-28, rules v2; D\n# recording: recorded live, prod. Jaques Morelenbaum (Mercury\u002FPolyGram 538 332-2); the hit version (theme of the novela Suave Veneno, about a million copies) after Sandra de Sá's first recording (1996) and Tim Maia's (1997); rule 2; sources: Discogs, MusicBrainz, Nova Brasil FM; video: Universal Music Group \"Provided to YouTube\" upload, album Prenda Minha, 3:11\n\nsection: Intro1\n1 | A7sus  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2 | A7     # V7 in D, not resolving: natural tensions\n3 | A7sus  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4 | A7     # V7 in D, not resolving: natural tensions\n\nsection: Intro2\ncopy: Intro1\n\nsection: A1\n1 | DMaj7  # tonic: the 4th is in the key\n1 | A\u002FC#   # V without its 7th: Mixolydian, the key’s own notes\n2 | Bm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Bm7\u002FA  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Em7    # ii: Dorian, the key’s own notes\n3 | Em7\u002FD  # ii: Dorian, the key’s own notes\n4 | Dbm7   # a borrowed minor chord: Dorian, its own key\n4 | A7     # V7 of D: natural tensions\n@segno 1\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | Bm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1 | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | GMaj7  # IV: the #4 is the key’s 7th\n3 | Bm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | Em7    # ii: Dorian, the key’s own notes\n5 | Bm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | GMaj7  # IV: the #4 is the key’s 7th\n@nav 6 D.S. al Coda\n@coda 6\n\nsection: Coda1\n1 | DMaj7  # tonic: the 4th is in the key\n1 | A\u002FC#   # V without its 7th: Mixolydian, the key’s own notes\n2 | Bm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Bm7\u002FA  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Em7    # ii: Dorian, the key’s own notes\n3 | Em7\u002FD  # ii: Dorian, the key’s own notes\n4 | Cadd9  # ♭VII, borrowed from D minor: Lydian (its ♯11 is in the key)\n5 | DMaj7  # tonic: the 4th is in the key\n5 | A\u002FC#   # V without its 7th: Mixolydian, the key’s own notes\n6 | Bm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Bm7\u002FA  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7 | GMaj7  # IV: the #4 is the key’s 7th\n7 | A7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8 | DMaj7  # tonic: the 4th is in the key\n8 | A7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n@coda 1\n\nsection: Coda2\ncopy: Coda1\n",1793484803436]