[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:sound-lee":3},"title: Sound Lee\ncomposer: Lee Konitz\nstyle: Medium Up Swing\nkey: Eb\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A\n# area: Eb major (A 1–14)\n1  | Fm7        # ii of Bb7: Dorian\n2  | Bb7        # V7\u002FI in Eb: natural tensions\n3  | Fm7        # ii: Dorian, the key’s own notes\n4  | E7         # tritone substitute: resolves down a half step to EbMaj7\n5  | EbMaj7     # tonic: the 4th is in the key\n6  | AbMaj7#11  # from the symbol: #11\n7  | Gm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | E7         # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n9  | Fm7        # ii of Bb7: Dorian\n10 | Bb7        # V7\u002FI in Eb: natural tensions\n11 | Fm7        # ii: Dorian, the key’s own notes\n12 | E7         # tritone substitute: resolves down a half step to EbMaj7\n13 | EbMaj7     # tonic: the 4th is in the key\n14 | AbMaj7#11  # from the symbol: #11\n# area: G major (A 15–16)\n15 | Am7        # ii of the ii–V to G\n15 | D7         # V7 of G: natural tensions\n16 | G          # tonic: the 4th is in the key\n\nsection: B\n# area: Eb major (B 1–5)\n1  | Bbm7       # ii of Eb7: Dorian\n2  | Eb7        # V7\u002FIV in Eb: natural tensions\n3  | Eb7b9      # I7 in Eb, not resolving: the b9 from the symbol\n4  | Gb         # ♭III, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n4  | G          # a non-tonic major chord: Lydian\n5  | Ab         # IV: the #4 is the key’s 7th\n# area: Gb major (B 6–8)\n6  | Db7        # V7 of Gb: natural tensions\n7  | Gb6        # tonic: the 4th is in the key\n8  | E7         # ♭VII7 from the parallel minor: Lydian Dominant\n# area: Eb major (B 9–16)\n9  | Fm7        # ii of Bb7: Dorian\n10 | Bb7        # extended dominant: V7 of Eb7\n11 | Eb7        # I7 in Eb, not resolving: natural tensions\n12 | C7b9       # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n13 | Fm7        # ii of Bb7: Dorian\n14 | Bb7        # V7\u002FI in Eb: natural tensions\n15 | E7         # tritone substitute: resolves down a half step to EbMaj7\n16 | EbMaj7     # tonic: the 4th is in the key\n16 | C7         # V7\u002Fii in Eb: the b13 is in the key\n",1793575901172]