[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:soul-sauce":3},"title: Soul Sauce\naka: Wachi Wara; Guarachi Guaro\ncomposer: Dizzy Gillespie, Chano Pozo\nstyle: Latin\nkey: C\nform: ABCD + solos, 32 bars\ncontext: modal\nrecording: Cal Tjader; Soul Sauce; Verve; 1965\nyoutube: NZPJI2xGwkM\n# analysis: 2026-10-19, rules v2; C, modal\n# recording: the chart follows Tjader's version (its book marking: \"as played by Cal Tjader\"), a remake of Gillespie and Pozo's Guarachi Guaro (RCA Victor 20-3370, 1948); recorded 1964-11-20, A&R Studios, NYC; matrix 64VK601, first issued on LP (Verve V\u002FV6-8614) (jazzdisco, Wikipedia)\n# book: Med. Latin, quarter = 152 (as played by Cal Tjader)\n# the pickup is vibes alone; bass and drums play a downbeat (C bass) on bar 1 of A every time but the first\n# the book's road map: A B C D, D.C. al Coda One (from the end of A, bar 8) to the solos; after solos, continue to E;\n# E then D.C. al Coda Two (from the end of A again) to the Coda, vamp and fade\n\n# bar | chord\n\nsection: A\n# bars 1–2: N.C. (the vibes melody)\n1 | N.C.\n3 | C7       # modal: its own mode\n# bar 3: N.C. until the C7 stabs (\"Wa-chi Wa-ra\") late in the bar\n4 | C7\n# bars 5–6: N.C. (the vibes melody)\n5 | N.C.\n7 | C7\n8 | C7\n@coda 8\n# the coda sign (1, 2) stands at the end of bar 8\n\nsection: B\nbars: 8\n# N.C.: a 4-bar bass line played twice (2nd time add congas, then cowbell)\n1 | N.C.\n\nsection: C\nbars: 8\n# N.C.: a 2-bar vibes figure played 3 times, then 2 more bars\n1 | N.C.\n\nsection: D\n1 | C13      # modal: its own mode\n1 | Bb13     # modal: its own mode\n1 | Ab13     # modal: its own mode\n1 | Db13#11  # modal: its own mode; #11 from the symbol\n2 | C13      # modal: its own mode\n# alt: bar 2 (Ab13 Gm7) on beats 3–4\n# book: this C13 is anticipated on the last eighth of the bar before\n3 | C13\n3 | Bb13     # modal: its own mode\n3 | Ab13     # modal: its own mode\n3 | Db13#11  # modal: its own mode; #11 from the symbol\n4 | C13      # modal: its own mode\n# alt: bar 4 (Ab13 Gm7) on beats 3–4\n5 | C13\n5 | Bb13     # modal: its own mode\n5 | Ab13     # modal: its own mode\n5 | Db13#11  # modal: its own mode; #11 from the symbol\n6 | C13      # modal: its own mode\n# alt: bar 6 (Ab13 Gm7) on beats 3–4\n@nav 6 D.C. al Coda\n\nsection: Solos\n# D is a 2-bar figure played 3 times, written out\n@coda 1\n1 | Gm7      # modal minor: Dorian\n1 | C7       # modal: its own mode\n2 | Gm7      # modal minor: Dorian\n2 | C7       # modal: its own mode\n\nsection: Coda\n# the solos vamp on these 2 bars until cued; solos may also be played over C7 Gm7 (one bar each beat 1 and 3, a 2-bar repeat)\n# after solos, continue to E\n# E (on cue): N.C., a 2-bar vibes and bass figure played 3 times, then 2 more bars; then D.C. al Coda Two\n@coda 1\n1 | C13      # modal: its own mode\n1 | Bb13     # modal: its own mode\n1 | Ab13     # modal: its own mode\n1 | Db13#11  # modal: its own mode; #11 from the symbol\n2 | C13      # modal: its own mode\n# alt: bar 2 (Ab13 Gm7) on beats 3–4\n# the coda repeats: vamp and fade\n",1793484803430]