[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:somewhere":3},"title: Somewhere\ncomposer: Leonard Bernstein\nstyle: Slow Swing\nkey: Eb\nform: AABAC, 36 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | Bb    # V without its 7th: Mixolydian, the key’s own notes\n1  | Bb7   # extended dominant: V7 of Eb7\n2  | Eb7   # V7\u002FIV in Eb: natural tensions\n2  | Ab    # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n3  | Fm7   # ii of Bb7: Dorian\n3  | Bb7   # extended dominant: V7 of Eb7\n4  | Eb7   # V7\u002FIV in Eb: natural tensions\n4  | Ab    # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n5  | Bb    # V without its 7th: Mixolydian, the key’s own notes\n5  | Bb7   # V7 in Eb, not resolving: natural tensions\n6  | Gm    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Cm    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Ab    # IV: the #4 is the key’s 7th\n7  | Db    # ♭VII, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n8  | Bb    # V without its 7th: Mixolydian, the key’s own notes\n9  | Ab    # IV: the #4 is the key’s 7th\n9  | Db    # ♭VII, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n10 | Bbm   # a borrowed minor chord: Dorian, its own key\n10 | Gb    # ♭III, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | B     # ♭VI, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n2  | Abm   # iv from the parallel minor: Dorian, its notes\n3  | Ebm   # a borrowed minor chord: Dorian, its own key\n4  | Fm7   # ii: Dorian, the key’s own notes\n5  | B     # ♭VI, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n5  | Abm6  # a minor sixth chord: Dorian\n6  | Gb    # ♭III, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n7  | F     # a non-tonic major chord: Lydian\n8  | Dm7   # a borrowed minor chord: Dorian, its own key\n\nsection: A2\n1  | Bb    # V without its 7th: Mixolydian, the key’s own notes\n1  | Bb7   # extended dominant: V7 of Eb7\n2  | Eb7   # V7\u002FIV in Eb: natural tensions\n2  | Ab    # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n3  | Fm7   # ii of Bb7: Dorian\n3  | Bb7   # extended dominant: V7 of Eb7\n4  | Eb7   # V7\u002FIV in Eb: natural tensions\n4  | Ab    # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n5  | Bb    # V without its 7th: Mixolydian, the key’s own notes\n5  | Bb7   # V7 in Eb, not resolving: natural tensions\n6  | Gm    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Cm    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Ab    # IV: the #4 is the key’s 7th\n7  | Db    # ♭VII, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n8  | Bbm   # a borrowed minor chord: Dorian, its own key\n8  | Gb    # ♭III, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n\nsection: C\n1  | B     # ♭VI, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n2  | Ab    # IV: the #4 is the key’s 7th\n3  | Eb    # tonic: the 4th is in the key\n3  | Eb7   # V7\u002FIV in Eb: natural tensions\n4  | Ab    # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n",1793575901018]