[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:someone-to-watch-over-me":3},"title: Someone To Watch Over Me\ncomposer: George Gershwin\nstyle: Ballad\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | EbMaj7    # tonic: the 4th is in the key\n1  | Eb7       # V7\u002FIV in Eb: natural tensions\n2  | AbMaj7    # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2  | Abdim7    # passing diminished: Bb7♭9 without its Bb, the EbMaj7\u002FG's dominant; not functioning diatonically: the symmetric scale\n3  | EbMaj7\u002FG  # tonic: the 4th is in the key\n3  | Gbdim7    # passing diminished: F7♭9 without its F, the Bb7\u002FF's dominant\n4  | Bb7\u002FF     # V7 in Eb, not resolving: natural tensions\n4  | Edim7     # vii°7 of Fm7: C7♭9 without its root\n5  | Fm7       # ii: Dorian, the key’s own notes\n5  | Gdim      # vii°7 of Ab6: Eb7♭9 without its root\n5  | Ab6       # IV: the #4 is the key’s 7th\nalt 5  | Fm7       # ii: Dorian, the key’s own notes\nalt 5  | Gm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 5  | C7        # V7\u002Fii in Eb: the b13 is in the key\n6  | Am7b5     # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n6  | Bb7       # V7 in Eb, not resolving: natural tensions\nalt 6  | Fm7       # ii of Bb7: Dorian\nalt 6  | Bb7       # V7\u002FI in Eb: natural tensions\n7  | G7#5      # V7 of C7, on the way to F minor: b9 and b13 are in the key, the #11 from the symbol\n7  | C7        # V7 of F minor, the chain's last link: b9 and b13 are in the key\n8  | Fm7       # ii of the ii–V to Eb\n8  | Bb7       # V7 of Eb: natural tensions\n9  | Eb6       # tonic: the 4th is in the key\n10 | Eb7       # V7\u002FIV in Eb: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | AbMaj7    # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2  | AbMaj7\n3  | Abm6      # a minor sixth chord: Dorian\n4  | Eb6\u002FG     # tonic: the 4th is in the key\n5  | Am7b5     # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | D7b9      # V7 of G7b13, on the way to F minor: b9 and b13 are in the key\n6  | G7b13     # V7 of C7, on the way to F minor: b9 and b13 are in the key\n7  | C7        # V7 of F minor, the chain's last link: b9 and b13 are in the key\n8  | Fm7       # ii of the ii–V to Eb\n8  | Bb7       # V7 of Eb: natural tensions\n\nsection: A2\n1  | EbMaj7    # tonic: the 4th is in the key\n1  | Eb7       # V7\u002FIV in Eb: natural tensions\n2  | AbMaj7    # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2  | Abdim7    # passing diminished: Bb7♭9 without its Bb, the EbMaj7\u002FG's dominant; not functioning diatonically: the symmetric scale\n3  | EbMaj7\u002FG  # tonic: the 4th is in the key\n3  | Gbdim7    # passing diminished: F7♭9 without its F, the Bb7\u002FF's dominant\n4  | Bb7\u002FF     # V7 in Eb, not resolving: natural tensions\n4  | Edim7     # vii°7 of Fm7: C7♭9 without its root\n5  | Fm7       # ii: Dorian, the key’s own notes\n5  | Gdim      # vii°7 of Ab6: Eb7♭9 without its root\n5  | Ab6       # IV: the #4 is the key’s 7th\nalt 5  | Fm7       # ii: Dorian, the key’s own notes\nalt 5  | Gm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 5  | C7        # V7\u002Fii in Eb: the b13 is in the key\n6  | Am7b5     # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n6  | Bb7       # V7 of Eb: natural tensions\nalt 6  | Fm7       # ii of the ii–V to Eb\nalt 6  | Bb7       # V7 of Eb: natural tensions\n7  | Eb6       # tonic: the 4th is in the key\n8  | Fm7       # ii of the ii–V to Eb\n8  | Bb7       # V7 of Eb: natural tensions\n",1793575900970]