[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:someday-my-prince-will-come":3},"title: Someday My Prince Will Come\nsubtitle: Jazz waltz\ncomposer: Frank Churchill\nstyle: Waltz\nkey: F\ntime: 3\u002F4\nform: AA, 32 bars\nrecording: Miles Davis; Someday My Prince Will Come; Columbia; 1961\nyoutube: fWN9UfUV9eE\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1961-03-20, Columbia 30th Street Studio, New York, with Hank Mobley, John Coltrane, Wynton Kelly, Paul Chambers, Jimmy Cobb, CL 1656, released 1961-12-11; film song (1937) → the title-track jazz reference, over Bill Evans (Portrait in Jazz, 1960) and Dave Brubeck (1957); sources: jazzdisco, Wikipedia; video: \"Provided to YouTube by Columbia\u002FLegacy\", Someday My Prince Will Come, the same take\n\n# bar | chord | scale\n\nsection: A1\n1  | FMaj7   # tonic: the 4th is in the key\n2  | B7#11   # tritone substitute: resolves down a half step to BbMaj7\n3  | BbMaj7  # the B7#11 before it makes Bb the key of the moment: the 4th is in the key\n4  | D7alt   # from the symbol: altered\n5  | Gm7     # ii: Dorian, the key’s own notes\n6  | D7alt   # from the symbol: altered\n7  | G9      # V7 of V7: the dominant of the dominant: natural tensions\n8  | C7      # V7 in F, not resolving: natural tensions\n9  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Abdim7  # passing diminished: G7♭9 without its G, the C7b9's dominant (Gm7 its ii)\n11 | Gm7     # ii of C7b9: Dorian\n12 | C7b9    # V7\u002FI in F: the b9 from the symbol\n13 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | Abdim7  # passing diminished: G7♭9 without its G, the C7b9's dominant (Gm7 its ii)\n15 | Gm7     # ii of the ii–V to F\n16 | C7b9    # V7 of F: the b9 from the symbol\n\nsection: A2\nbars: 16\n1  | FMaj7   # tonic: the 4th is in the key\n2  | B7#11   # tritone substitute: resolves down a half step to BbMaj7\n3  | BbMaj7  # the B7#11 before it makes Bb the key of the moment: the 4th is in the key\n4  | D7alt   # from the symbol: altered\n5  | Gm7     # ii: Dorian, the key’s own notes\n6  | D7alt   # from the symbol: altered\n7  | G9      # V7 of V7: the dominant of the dominant: natural tensions\n8  | C7      # V7 in F, not resolving: natural tensions\n9  | Cm7     # ii of the ii–V to Bb\n10 | F9      # V7\u002FIV in F: natural tensions\n11 | BbMaj7  # the F9 before it makes Bb the key of the moment: the 4th is in the key\n12 | Bdim7   # ♯IV°7 to I over its 5th: E7♭9 without its root, the ♯II°7's notes\n13 | F6\u002FC    # tonic: the 4th is in the key\n14 | Gm7\u002FC   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n14 | C7      # V7 of F: natural tensions\n15 | F6\u002F9    # tonic: the 4th is in the key\n",1793484803367]