[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:some-other-time":3},"title: Some Other Time\ncomposer: Leonard Bernstein\nstyle: Ballad\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: C major (A1 1–10)\n1  | CMaj7    # tonic: the 4th is in the key\n1  | G7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n2  | CMaj7    # tonic: the 4th is in the key\n2  | G7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | CMaj7    # tonic: the 4th is in the key\n3  | G7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | CMaj7    # tonic: the 4th is in the key\n4  | CMaj7\u002FG  # tonic: the 4th is in the key\n4  | F#m7b5   # #ivø7 in C: Locrian, its own mode (the chord is outside the key)\n4  | Fm7      # iv7 from the parallel minor: Dorian, its notes\n5  | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | A7       # V7\u002Fii in C: the b13 is in the key\n6  | Dm7      # ii of the ii–V to C\n6  | G7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n7  | CMaj7    # tonic: the 4th is in the key\n7  | G7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8  | CMaj7    # tonic: the 4th is in the key\n8  | G7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n9  | CMaj7    # tonic: the 4th is in the key\n9  | G7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n10 | CMaj7    # tonic: the 4th is in the key\n# area: Ab major (A1 10 – B 5)\n10 | Eb7      # V7 of Ab: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | AbMaj7   # tonic: the 4th is in the key\n1  | Eb7      # V7 of Ab: natural tensions\n2  | AbMaj7   # tonic: the 4th is in the key\n2  | Eb7      # V7 of Ab: natural tensions\n3  | AbMaj7   # tonic: the 4th is in the key\n3  | Eb7      # V7 of Ab: natural tensions\n4  | AbMaj7   # tonic: the 4th is in the key\n4  | Eb7      # V7 of Ab: natural tensions\n5  | AbMaj7   # tonic: the 4th is in the key\n# area: C major (B 5 – A2 8)\n5  | G7b13    # V7 of C: the b13 from the symbol\n6  | CMaj7    # tonic: the 4th is in the key\n6  | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | A7       # tritone substitute: resolves down a half step to Ab7#11\n7  | Ab7#11   # ♭VI7 from the parallel minor: Lydian Dominant\n8  | Dm7      # ii of the ii–V to C\n8  | G7       # V7 of C: natural tensions\n\nsection: A2\n1  | CMaj7    # tonic: the 4th is in the key\n1  | G7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n2  | CMaj7    # tonic: the 4th is in the key\n2  | G7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | CMaj7    # tonic: the 4th is in the key\n3  | G7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | CMaj7    # tonic: the 4th is in the key\n4  | CMaj7\u002FG  # tonic: the 4th is in the key\n4  | F#m7b5   # #ivø7 in C: Locrian, its own mode (the chord is outside the key)\n4  | Fm7      # iv7 from the parallel minor: Dorian, its notes\n5  | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | A7       # V7\u002Fii in C: the b13 is in the key\n6  | Dm7      # ii of the ii–V to C\n6  | G7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n7  | CMaj7    # tonic: the 4th is in the key\n7  | G7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8  | CMaj7    # tonic: the 4th is in the key\n8  | G7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n",1793575900905]