[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:some-other-spring":3},"title: Some Other Spring\ncomposer: Herzog, Kitchings\nstyle: Medium Swing\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: C major (A1 1–5)\n1  | CMaj7   # tonic: the 4th is in the key\n1  | G7#5    # V7 of the CMaj7 before it: #11 and b13 from the symbol\n2  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n3  | Dm7     # ii: Dorian, the key’s own notes\n3  | Dm7b5   # iiø7, borrowed from C minor: Locrian\n4  | Ab7     # tritone substitute: resolves down a half step to G7b9\n4  | G7b9    # extended dominant: V7 of C7; b9 from the symbol\n5  | C7      # tritone substitute: resolves down a half step to B7\n5  | B7      # tritone substitute: resolves down a half step to Bb7\n# area: Eb major (A1 5 – B 1)\n5  | Bb7     # V7 of Eb: natural tensions\n6  | Eb6     # tonic: the 4th is in the key\n6  | EbMaj7  # tonic: the 4th is in the key\n7  | Eb7#11  # tritone substitute: resolves down a half step to D7\n7  | D7      # VII7 in Eb, not resolving: b9 and b13 are in the key\n7  | Cdim    # passing diminished: F7♭9 without its F, the Bb6's dominant; not functioning diatonically: the symmetric scale\n8  | Bb6     # a non-tonic major chord: Lydian\n8  | D7\u002FA    # extended dominant: V7 of G7#5\n8  | G7#5    # III7 in Eb, not resolving: b9 and b13 are in the key, the #11 from the symbol\n9  | Eb6     # tonic: the 4th is in the key\n9  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Fm7     # ii of Bb7b9: Dorian\n10 | Bb7b9   # extended dominant: V7 of Eb7; b9 from the symbol\n11 | Eb7     # tritone substitute: resolves down a half step to D7\n11 | D7      # VII7 in Eb, not resolving: b9 and b13 are in the key\n@ending 1 6 8\n@ending 2 9 11\n\nsection: B\n1  | Bm7     # a borrowed minor chord: Dorian, its own key\n1  | Bbm7    # a borrowed minor chord: Dorian, its own key\n# area: C major (B 2–4)\n2  | Am7     # ii of D7: Dorian\n2  | D7      # V7\u002FV in C: natural tensions\n3  | Bm7     # a borrowed minor chord: Dorian, its own key\n3  | Bbdim7  # passing diminished: A7♭9 without its A, the D7's dominant; not functioning diatonically: the symmetric scale\n4  | Am7     # ii of D7: Dorian\n4  | D7      # V7\u002FV in C: natural tensions\n# area: D major (B 5–7)\n5  | Em7     # ii of the ii–V to D\n5  | A7#5    # V7 of D: #11 and b13 from the symbol\n6  | DMaj7   # tonic: the 4th is in the key\n6  | C7      # tritone substitute: resolves down a half step to B7\n6  | B7      # tritone substitute: resolves down a half step to Bb7\n7  | Bb7     # tritone substitute: resolves down a half step to A7\n# area: C major (B 7 – A2 8)\n7  | A7      # extended dominant: each one falls a fifth into the next: natural tensions\n8  | D7      # V7 of V7: the dominant of the dominant: natural tensions\n8  | G7#5    # V7 of C: #11 and b13 from the symbol\n\nsection: A2\n1  | CMaj7   # tonic: the 4th is in the key\n1  | G7#5    # V7 of the CMaj7 before it: #11 and b13 from the symbol\n2  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n3  | Dm7     # ii: Dorian, the key’s own notes\n3  | Dm7b5   # iiø7, borrowed from C minor: Locrian\n4  | Ab7     # tritone substitute: resolves down a half step to G7\n4  | G7      # extended dominant: V7 of C7\n5  | C7      # tritone substitute: resolves down a half step to B7\n5  | B7      # tritone substitute: resolves down a half step to Bb7\n5  | Bb7     # ♭VII7 from the parallel minor: Lydian Dominant\n6  | Am7b5   # viø7 in C: Locrian, its own mode (the chord is outside the key)\n6  | Ab7     # ♭VI7 from the parallel minor: Lydian Dominant, it returns to I\n7  | C6\u002FG    # tonic: the 4th is in the key\n7  | D7      # V7 of V7: the dominant of the dominant: natural tensions\n7  | G7      # V7 of C: natural tensions\n8  | C6      # tonic: the 4th is in the key\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n",1793575900894]