[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:some-enchanted-evening":3},"title: Some Enchanted Evening\ncomposer: Richard Rodgers\nstyle: Ballad\nkey: C\nform: AABAC, 60 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1  | C6      # tonic: the 4th is in the key\n2  | C6\n3  | G7      # V7 of C: natural tensions\n4  | G7\n5  | C6      # tonic: the 4th is in the key\n6  | Gm7     # ii of the ii–V to F\n6  | C7#5    # V7\u002FIV in C: #11 and b13 from the symbol\n7  | FMaj7   # the C7#5 before it makes F the key of the moment: the 4th is in the key\n8  | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n9  | Dm7     # ii: Dorian, the key’s own notes\n9  | Dm7\u002FC   # ii: Dorian, the key’s own notes\n10 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | E7#9    # V7\u002Fvi in C: the b13 is in the key, b9, #9 and #11 from the symbol\n11 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | C7\u002FG    # V7\u002FIV in C: natural tensions\n12 | FMaj7   # the C7\u002FG before it makes F the key of the moment: the 4th is in the key\n12 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | Dm7     # ii of the ii–V to C\n14 | G7      # V7 of C: natural tensions\n15 | CMaj7   # tonic: the 4th is in the key\n15 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n16 | Dm7     # ii of the ii–V to C\n16 | G7      # V7 of C: natural tensions\n17 | C6      # tonic: the 4th is in the key\n18 | C6\n@ending 1 15 16\n@ending 2 17 18\n\nsection: B\n1  | G7\u002FD    # V7 of C: natural tensions\n1  | C       # tonic: the 4th is in the key\n2  | G7      # V7 of C: natural tensions\n2  | C6      # tonic: the 4th is in the key\n3  | G7\u002FD    # V7 of C: natural tensions\n3  | C       # tonic: the 4th is in the key\n4  | Am7     # ii of D7: Dorian\n4  | D7      # V7 of V7: the dominant of the dominant: natural tensions\n5  | G7      # V7 in C, not resolving: natural tensions\n5  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Bbdim7  # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n6  | G7\u002FB    # V7 of C: natural tensions\n\nsection: A2\n1  | C6      # tonic: the 4th is in the key\n2  | C6\n3  | G7      # V7 of C: natural tensions\n4  | G7\n5  | C6      # tonic: the 4th is in the key\n6  | Gm7     # ii of the ii–V to F\n6  | C7#5    # V7\u002FIV in C: #11 and b13 from the symbol\n7  | FMaj7   # the C7#5 before it makes F the key of the moment: the 4th is in the key\n8  | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n9  | Dm7     # ii: Dorian, the key’s own notes\n9  | Dm7\u002FC   # ii: Dorian, the key’s own notes\n10 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | E7#9    # V7\u002Fvi in C: the b13 is in the key, b9, #9 and #11 from the symbol\n11 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | C7\u002FG    # V7\u002FIV in C: natural tensions\n12 | FMaj7   # the C7\u002FG before it makes F the key of the moment: the 4th is in the key\n12 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | Dm7     # ii of the ii–V to C\n14 | G7      # V7 of C: natural tensions\n15 | C6      # tonic: the 4th is in the key\n16 | C6\n\nsection: C\n1  | G7\u002FD    # V7 of C: natural tensions\n1  | C       # tonic: the 4th is in the key\n2  | G7      # V7 of C: natural tensions\n2  | C6      # tonic: the 4th is in the key\n3  | G7\u002FD    # V7 of C: natural tensions\n3  | C       # tonic: the 4th is in the key\n4  | Dm7     # ii of the ii–V to C\n5  | G7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n6  | C6      # tonic: the 4th is in the key\n",1793575900873]