[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:social-call":3},"title: Social Call\ncomposer: Gigi Gryce\nstyle: Medium\nkey: Db\nform: AABA, 32 bars\nrecording: Art Farmer Quintet; Art Farmer Quintet Volume 2 Featuring Gigi Gryce; Prestige; 1955\nyoutube: Xbdrd6lJC1Y\n# analysis: 2026-10-19, rules v2; Db\n# recording: recorded 1955-05-26, Van Gelder Studio, Hackensack, Art Farmer with Gigi Gryce (alto), Freddie Redd, Addison Farmer, Art Taylor, matrix 744, the first recording of it, with the composer on alto; first issued on the 10-inch PRLP 209 (1955), then on the 12-inch When Farmer Met Gryce (PRLP 7085, 1957); the Ernestine Anderson vocal (Gryce's nonet, 1955-10-22) came later (jazzdisco, Wikipedia); video: \"Provided to YouTube by Universal Music Group\", When Farmer Met Gryce, the same take\n\n# bar | chord | scale\n# the head ends with two extra bars (Ebm7 Ab7 | Db) and a drum tag; the solo form is written\n\nsection: A1\n# area: Db major (A1 1 – B 4)\n1 | Fm7b5     # iiø7 of Eb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n1 | Bb7b9     # V7\u002Fii in Db: the b13 is in the key, the b9 from the symbol\n2 | Ebm7      # ii of the ii–V to Db\n3 | Ebm7\n3 | Ab7b9b13  # V7 of Db: b9 and b13 from the symbol\n4 | DbMaj7    # tonic: the 4th is in the key\n5 | Fm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Em7       # a borrowed minor chord: Dorian, its own key\n6 | Ebm7      # ii: Dorian, the key’s own notes\n7 | Eb7       # tritone substitute: resolves down a half step to D7\n7 | D7        # tritone substitute: resolves down a half step to DbMaj7\n8 | DbMaj7    # tonic: the 4th is in the key\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | Abm7      # ii of the ii–V to Gb\n2 | Db7       # V7\u002FIV in Db: natural tensions\n3 | GbMaj7    # the Db7 before it makes Gb the key of the moment: the 4th is in the key\n3 | Abm7      # a borrowed minor chord: Dorian, its own key\n4 | Bbm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: E major (B 5–7)\n5 | F#m7      # ii of the ii–V to E\n6 | B7        # V7 of E: natural tensions\n7 | EMaj7     # tonic: the 4th is in the key\n# area: Db major (B 8 – A3 8)\n8 | Ebm7      # ii of Ab7alt: Dorian\n8 | Ab7alt    # from the symbol: altered\n\nsection: A3\ncopy: A1\n",1793484803344]